The Palmer Method of Business Writing / A Series of Self-teaching in Rapid, Plain, Unshaded, Coarse-pen, Muscular Movement Writing for Use in All Schools, Public or Private, Where an Easy and Legible Handwriting is the Object Sought; Also for the Home Learner
Transcriber’s Note:
The cover image was created by the transcriber and is placed in the public domain.
A Series of Self-teaching Lessons in Rapid, Plain, Unshaded, Coarse-pen, Muscular Movement Writing for Use in All Schools, Public or Private, Where an Easy and Legible Handwriting is the Object Sought; Also for the Home Learner
BY A. N. PALMER, EDITOR OF THE AMERICAN PENMAN
An explanation.—The object of this book is to teach rapid, easily-executed, business writing. It has not been written to exploit any one’s skill as a pen artist. It aims to be of use to those who are ambitious to become good, practical business writers. The lessons it contains are not experimental, but have been the means of guiding millions of boys and girls, young men and women to a good business style of writing.
As will be seen at a glance, the Palmer Method of Business Writing has nothing in common with copy-books which have been so largely used in public schools for more than half a century. If they are right, this book is wrong. The two methods of teaching writing are absolutely antagonistic.
In teaching writing, as in other subjects, the final result should be the criterion. Pupils who follow absolutely the Palmer Method plan never fail to become good penmen. On the other hand, no one ever learned to write a good, free, rapid, easy, and legible hand from any copy-book that was ever made.
The copy-book has but one purpose—to secure absolute mechanical accuracy. The copy-book headline is usually first carefully penciled by a skilled penman after a given model, and shows none of the individuality of the penman employed in its construction. The penciled copy is given to a skilled script-engraver, who engraves it by hand and further perfects it wherever possible. This impossible and lifeless ideal the child is required to imitate through long, dreary pages of copying. No wonder he fails!
It has been proved, through at least two generations, that the copy-book kills individuality and makes freedom of movement impossible. It compels slow finger-action in the formation of letters, giving a fair degree of accuracy where only slow writing is required; but the pupil’s work inevitably becomes scribbling when the least speed is attempted. In the Palmer Method, freedom of movement is the foundation, and, through a constantly repeated series of rapid drills, the application of movement becomes a fixed habit of the learner. Under this plan the pupil’s first attempt is naturally crude, but every drill practiced in strict accord with the printed instructions tends to add grace and accuracy to his work. The sure result is a handwriting that embodies these four essentials—legibility, rapidity, ease, and endurance.
A. N. Palmer
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SOME PALMER METHOD FACTS—A PERSONAL TALK
FIRST SPECIMENS
CLOTHING FOR THE RIGHT FOREARM
WRITING MATERIALS
LESSON 1
CORRECT POSITIONS FOR CLASS ROOM WRITING
LESSON 2
PHYSICAL TRAINING IN PENMANSHIP PRACTICE
DEFINITION OF MOVEMENT
HOW TO DEVELOP MUSCULAR ACTION
LESSON 3
TIME REQUIRED TO LEARN
HAND, FINGER, AND PENHOLDER STUDIES
LESSON 4
COUNTING TO REGULATE MOTION
ABOUT SPEED
LESSON 5
ABOUT SLANT
LESSON 6
PREPARATORY MOTION
FORM BUILDING
LESSON 7
LESSON 8
LESSON 9
LESSON 10
LESSON 11
LESSON 12
LESSON 13
SPECIAL STUDIES OF THE CAPITALS, SMALL LETTERS, AND FIGURES
LESSON 14
LESSON 15
MORE ABOUT COUNTING
LESSON 16
LESSON 17
LESSON 18
LESSON 19
LESSON 20
LESSON 21
LESSON 22
LESSON 23
LESSON 24
LESSON 25
LESSON 26
LESSON 27
LESSON 28
LESSON 29
FOR STUDY AND COMPARISON
LESSON 30
LESSON 31
LESSON 32
LESSON 33
LESSON 34
LESSON 35
LESSON 36
LESSON 37
LESSON 38
LESSONS 39, 40, 41, 42, AND 43
THE FREQUENCY OF REVIEWS
LESSON 44
LESSON 45
LESSON 46
LESSON 47
LESSON 48
LESSON 49
THE REVERSE OVAL AND ITS APPLICATION
LESSON 50
LESSON 51
MOVEMENT DRILL DESIGN
LESSONS 52 AND 53
LESSON 54
LESSON 55
LESSON 56
LESSON 57
LESSON 58
CAUTION TO THE STUDENT
LESSON 59
LESSON 60
LESSON 61
BUSINESS FIGURES
AN OBJECT-LESSON, FOR STUDY
FOR STUDY
HOW TO PRACTICE
LESSON 62
LESSON 63
LESSON 64
LESSON 65
LESSON 66
LESSON 67
LESSON 68
LESSON 69
MISCELLANEOUS FIGURES FOR STUDY AND PRACTICE
LESSON 70
SPECIAL POINTS TO OBSERVE
LESSON 71
LESSON 72
LESSON 73
LESSON 74
LESSON 75
LESSON 76
TO RELIEVE MUSCULAR TENSION
LESSON 77
LESSON 78
LESSON 79
LESSON 80
LESSON 81
LESSON 82
LESSON 83
LESSON 84
LESSON 85
LESSON 86
LESSON 87
A REVIEW
LESSON 88
A REVIEW
LESSON 89
REVIEW WORK
LESSON 90
LESSON 91
SOMETHING MORE ABOUT SIZE
CAPITAL AND WORD PRACTICE AS MOVEMENT DRILLS
LESSON 92
LESSON 93
LESSON 94
LESSON 95
LESSON 96
LESSON 97
LESSON 98
LESSON 99
LESSON 100
LESSON 101
LESSON 102
LESSON 103
LESSON 104
LESSON 105
LESSON 106
LESSON 107
LESSON 108
LESSON 109
LESSON 110
LESSON 111
LESSON 112
LESSON 113
CAUTION TO TEACHERS AND PUPILS
LESSON 114
LESSON 115
LESSON 116
LESSON 117
LESSON 118
LESSON 119
LESSON 120
LESSON 121
LESSON 122
LESSON 123
LESSON 124
LESSON 125
LESSON 126
LESSON 127
LESSON 128
LESSON 129
LESSON 130
LESSON 131
LESSON 132
LESSON 133
LESSON 134
LESSON 135
LESSON 136
LESSON 137
LESSON 138
LESSON 139
LESSON 140
LESSON 141
LESSON 142
LESSON 143
LESSON 144
LESSON 145
LESSON 146
PUPIL’S CERTIFICATE, KNOWN AS THE DIPLOMA