Bonnie Scotland / Painted by Sutton Palmer; Described by A.R. Hope Moncrieff

That I for poor auld Scotland’s sake, Some usefu’ plan, or beuk could make. Burns.



BONNIE SCOTLAND PAINTED BY SUTTON PALMER · DESCRIBED BY A. R. HOPE MONCRIEFF PUBLISHED BY A. & C. BLACK·LONDON·MCMXII
Published November 1904 Reprinted 1905, 1912
THE author does not attempt elaborate word-pictures, that would seem pale beside the artist’s colouring. His design has been, as accompaniment to these beautiful landscapes, an outline of Scotland’s salient features, with glimpses at its history, national character, and customs, and at the literature that illustrates this country for the English-speaking world. While taking the reader on a fireside tour through the varying “airts” of his native land, he has tried to show how its life, silken or homespun, is a tartan of more intricate pattern than appears in certain crude impressions struck off by strangers. And into his own web have been woven reminiscences, anecdotes, and borrowed brocade such as may make entertaining stripes and checks upon a groundwork of information. The mainland only is dealt with in this volume, which it is intended to follow up with another on the Highlands and Islands.

THE dawn broadens, the mists roll away to show a northward-bound traveller how his train is speeding between slopes of moorland, green and grey, here patched by bracken or bog, there dotted by wind-blown trees, everywhere cut by water-courses gathering into gentle rivers that can be furious enough in spate, when they hurl a drowned sheep or a broken hurdle through those valleys opening a glimpse of mansions and villages among sheltered woods. Are we still in England, or in what at least as far back as Cromwell’s time called itself “Bonnie Scotland”? It is as hard to be sure as to make out whether that cloudy knoll on the horizon is crowned by a peat-stack or by the stump of a Border peel.
Either bank of Tweed and Liddel has much the same aspects. An expert might perhaps read the look or the size of the fields. Could one get speech with that brawny corduroyed lad tramping along the furrows to his early job, whistling maybe, as if it would never grow old, an air from the London music-halls, the Southron might be none the wiser as to his nationality, though a fine local ear would not fail to catch some difference of burr and broad vowels, marked off rather by separating ridges than by any legal frontier, as the lilting twang of Liddesdale from the Teviot drawl. Healthily barefooted children, more’s the pity, are not so often seen nowadays on this side of the Border, nor on the other, unless at Brightons and Margates. The Scotch “bonnet,” substantial headgear as it was, has vanished; the Scotch plaid, once as familiar on the Coquet as on the Tweed, is more displayed in shop windows than in moorland glens, now that over the United Kingdom reigns a dull monotony and uniformity of garb. Could we take the spectrum of those first wreaths of smoke curling from cottage chimneys, we might find traces of peat and porridge, yet also of coal and bacon. Yon red-locked lassie turning her open eyes up to the train from the roadside might settle the question, were we able to test her knowledge whether of the Shorter Catechism or of her “Duty towards her Neighbour.” It is only when the name of the first Scottish way-station whisks by, that we know ourselves fairly over the edge of “Caledonia stern and wild”; and our first thought may well be that this Borderland appears less stern than the grey crags of Yorkshire, and less wild than some bleak uplands of Northumberland.