The Lyrical Dramas of Aeschylus Translated into English Verse

Footnotes have been relocated to the end of the book. Footnotes and (end)notes are labeled with an “f” and “n”, respectively.
Text alterations: some spelling and punctuation corrections, change some of the plays’ formatting, and remove obsolete references to “vol. I” and “vol. II”, which were leftover from the 1850 two-volume version of this work.
The translation had occupied twelve years, says Miss Stoddart, in her biography (1895), but only the first three and the last three of those years were specially devoted to the work. Carlyle interested himself in finding a London publisher for the translation, and he characteristically mingled his praise of it with blame. He spoke of it indeed as “spirited and lively to a high degree,” and added, “the grimmer my protest against your having gone into song at all with the business.” It was Professor Aytoun who suggested the rhymed choruses. Leigh Hunt wrote to Blackie, approving where Carlyle had demurred. He said: “Your version is right masculine and Æschylean, strong, musical, conscious of the atmosphere of mystery and terror which it breathes in;” and he especially admired the poetic interpretation given “to the lyrical nature of these fine Cassandra-voiced ringing old dramas.”
The following is a list of the chief English translators of Æschylus:—
The Tragedies translated into English Verse; R. Potter, 1777, 1779.
The Seven Tragedies literally translated into English Prose, from the Text of Blomfield and Schütz, 1822, 1827.
Literal translation by T. A. Buckley, 1849.
The Lyrical Dramas . . . into English Verse, J. S. Blackie, 1850; into English Prose, F. A. Paley, 1864, 1891; E. H. Plumptre, 1868, 1873; Anna Swanwick, 1873; from a revised text, W. Headlam, 1900, etc.
The Seven Plays in English Verse; L. Campbell, 1890.
The Agamemnon was translated by Dean Milman, 1865; and “transcribed” by Robert Browning, 1877. A. W. Verrall’s edition of the text, with commentary and translation, appeared in 1889.