The Human Chord

Produced by Suzanne Shell, Mary Meehan and the Online Distributed
Proofreading Team.
1910
To those who hear.
As a boy he constructed so vividly in imagination that he came to believe in the living reality of his creations: for everybody and everything he found names—real names. Inside him somewhere stretched immense playgrounds, compared to which the hay-fields and lawns of his father's estate seemed trivial: plains without horizon, seas deep enough to float the planets like corks, and such tremendous forests with trees like tall pointed hilltops. He had only to close his eyes, drop his thoughts inwards, sink after them himself, call aloud and—see.
His imagination conceived and bore—worlds; but nothing in these worlds became alive until he discovered its true and living name. The name was the breath of life; and, sooner or later, he invariably found it.
Once, having terrified his sister by affirming that a little man he had created would come through her window at night and weave a peaked cap for himself by pulling out all her hairs that hadn't gone to sleep with the rest of her body, he took characteristic measures to protect her from the said depredations. He sat up the entire night on the lawn beneath her window to watch, believing firmly that what his imagination had made alive would come to pass.
She did not know this. On the contrary, he told her that the little man had died suddenly; only, he sat up to make sure. And, for a boy of eight, those cold and haunted hours must have seemed endless from ten o'clock to four in the morning, when he crept back to his own corner of the night nursery. He possessed, you see, courage as well as faith and imagination.
Yet the name of the little man was nothing more formidable than Winky!
You might have known he wouldn't hurt you, Teresa, he said. Any one with that name would be light as a fly and awf'ly gentle—a regular dicky sort of chap!
But he'd have pincers, she protested, or he couldn't pull the hairs out. Like an earwig he'd be. Ugh!