Of Six Mediæval Women; To Which Is Added A Note on Mediæval Gardens

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Bib. de l’Arsenal, Paris.
POET DECLAIMING TO ACCOMPANIMENT OF VIOL.
Frontispiece.
BY ALICE KEMP-WELCH
WITH INTRODUCTION AND ILLUSTRATIONS
MACMILLAN AND CO., LIMITED ST. MARTIN’S STREET, LONDON 1913
COPYRIGHT
The Author’s acknowledgments are due to the Editor of The Nineteenth Century and After for his kind permission to reprint such of the following studies as have already appeared in that Review, and also to “George Fleming” (Miss Constance Fletcher) for her rendering, on page 146, of four verses of Christine de Pisan’s poem on Joan of Arc.
Still, even so, the records are scanty. In order, therefore, to form some idea and estimate of women generally in the Middle Ages, we must perforce fall back on reasoning from the known to the unknown, and, by studying the few who are recorded in written history, judge of that great majority who, though nameless, have yet so largely helped to make up the world’s unwritten history. Just as many a flower blooms and dies unseen, so many a woman must have lived her life, serviceable to her special environment, but wholly unrecorded. Just as, in the course of ages, the seeds of some humble plant have been carried by wind or water from some lonely region to one less remote, and made to serve a purpose by adding to the sum-total of beauty and usefulness, so the thoughts and deeds of many an unremembered woman have doubtless passed into the great ocean of thought, encircling us to-day, and influencing us as a living force.
Thus we have the women who figure in history, and whom we must take as types of the influential woman of the time, and the women whom history has not so honoured. Of the former, even when only portrayed in outline, we can learn something, but how are we to learn anything of the latter, whether living in the seclusion of religious houses or in the world? Of those living in religious houses, we know from records that, besides attending to their own spiritual and mental education and tending the sick, they conducted the cloister schools and taught in them needlework, the art of confectionery, surgery, writing, and drawing. They also wove, and embroidered, and added their mite to the sum-total of beauty by transcribing and illuminating MSS. of the Gospels and of the lives of the Saints. But sometimes such a limited sphere of activity was enlarged, and it is to an anonymous Anglo-Saxon nun of the eighth century, to whom the experiences were related, that we owe one of the earliest and most interesting accounts extant in Northern Europe of a journey to Palestine.