A Dome of Many-Coloured Glass
Le silence est si grand que mon coeur en frissonne, Seul, le bruit de mes pas sur le pave resonne. Albert Samain.
Before the Altar, bowed, he stands With empty hands; Upon it perfumed offerings burn Wreathing with smoke the sacrificial urn. Not one of all these has he given, No flame of his has leapt to Heaven Firesouled, vermilion-hearted, Forked, and darted, Consuming what a few spare pence Have cheaply bought, to fling from hence In idly-asked petition. His sole condition Love and poverty. And while the moon Swings slow across the sky, Athwart a waving pine tree, And soon Tips all the needles there With silver sparkles, bitterly He gazes, while his soul Grows hard with thinking of the poorness of his dole. Shining and distant Goddess, hear my prayer Where you swim in the high air! With charity look down on me, Under this tree, Tending the gifts I have not brought, The rare and goodly things I have not sought. Instead, take from me all my life! Upon the wings Of shimmering moonbeams I pack my poet's dreams For you. My wearying strife, My courage, my loss, Into the night I toss For you. Golden Divinity, Deign to look down on me Who so unworthily Offers to you: All life has known, Seeds withered unsown, Hopes turning quick to fears, Laughter which dies in tears. The shredded remnant of a man Is all the span And compass of my offering to you. Empty and silent, I Kneel before your pure, calm majesty. On this stone, in this urn I pour my heart and watch it burn, Myself the sacrifice; but be Still unmoved: Divinity. From the altar, bathed in moonlight, The smoke rose straight in the quiet night.
Wild little bird, who chose thee for a sign To put upon the cover of this book? Who heard thee singing in the distance dim, The vague, far greenness of the enshrouding wood, When the damp freshness of the morning earth Was full of pungent sweetness and thy song? Who followed over moss and twisted roots, And pushed through the wet leaves of trailing vines Where slanting sunbeams gleamed uncertainly, While ever clearer came the dropping notes, Until, at last, two widening trunks disclosed Thee singing on a spray of branching beech, Hidden, then seen; and always that same song Of joyful sweetness, rapture incarnate, Filled the hushed, rustling stillness of the wood? We do not know what bird thou art. Perhaps That fairy bird, fabled in island tale, Who never sings but once, and then his song Is of such fearful beauty that he dies From sheer exuberance of melody. For this they took thee, little bird, for this They captured thee, tilting among the leaves, And stamped thee for a symbol on this book. For it contains a song surpassing thine, Richer, more sweet, more poignant. And the poet Who felt this burning beauty, and whose heart Was full of loveliest things, sang all he knew A little while, and then he died; too frail To bear this untamed, passionate burst of song.
Amy Lowell
A DOME OF MANY-COLOURED GLASS
[American (Massachusetts) poet and critic — 1874-1925.]
LYRICAL POEMS
Before the Altar
Suggested by the Cover of a Volume of Keats's Poems
Apples of Hesperides
Azure and Gold
Petals
Venetian Glass
Fatigue
A Japanese Wood-Carving
A Little Song
Behind a Wall
A Winter Ride
A Coloured Print by Shokei
Song
The Fool Errant
The Green Bowl
Hora Stellatrix
Fragment
Loon Point
Summer
"To-morrow to Fresh Woods and Pastures New"
The Way
Diya {original title is Greek, Delta-iota-psi-alpha}
Roads
Teatro Bambino. Dublin, N. H.
The Road to Avignon
New York at Night
A Fairy Tale
Crowned
To Elizabeth Ward Perkins
The Promise of the Morning Star
J—K. Huysmans
March Evening
SONNETS
Leisure
On Carpaccio's Picture: The Dream of St. Ursula
The Matrix
Monadnock in Early Spring
The Little Garden
To an Early Daffodil
Listening
The Lamp of Life
Hero-Worship
In Darkness
Before Dawn
The Poet
At Night
The Fruit Garden Path
Mirage
To a Friend
A Fixed Idea
Dreams
Frankincense and Myrrh
From One Who Stays
Crepuscule du Matin
Aftermath
The End
The Starling
Market Day
Epitaph in a Church-Yard in Charleston, South Carolina
Francis II, King of Naples
Written after reading Trevelyan's "Garibaldi and the making of Italy"
To John Keats
THE BOSTON ATHENAEUM
VERSES FOR CHILDREN
Sea Shell
Fringed Gentians
The Painted Ceiling
The Crescent Moon
Climbing
The Trout
Wind
The Pleiades