Ladies' manual of art; or, profit and pastime. / A self teacher in all branches of decorative art, embracing every variety of painting and drawing on china, glass, velvet, canvas, paper and wood the secret of all glass transparencies, sketching from nature. pastel and crayon drawing, taxidermy, etc.
Transcriber’s Note:
The cover image was created by the transcriber and is placed in the public domain.
CHICAGO:
DONOHUE, HENNEBERRY & CO.
407–425 Dearborn Street
1890
In presenting to the public and our artistically inclined people our “Art Manual” we should do so with some trepidation had we not the assurance, in placing before them this work, that it would instantly win its way into their favor by its merits. Most books produced by the press of the present day are novels, compilations, scientific and theological ones, meeting as they do only certain classes, and are subjects which have been constantly before the people. We present you a “new book” in every sense of the word. We propose entering with our readers into the beautiful realms of Art, than which there is no more interesting subject; our object being its promotion and dissemination. We want to see the great majority of our refined, educated, but needy women embrace it as a source of profit as well as pleasure, many of whom with an intellect for greater things, but incapable of muscular labor or exposure, can, by applying themselves energetically to this occupation, earn a good livelihood and famous name, and assist in disseminating its beauties everywhere. Many homes are there in our land, which they can ornament, and embellish to their profit, and the pleasure of others. Those comfortably situated in life, whose home decorations they prefer to be the product of their own hands, will hail our “Manual” as “a friend indeed.” To the child in whom is observed traits of genius it will be of invaluable assistance in developing those traits. Our aim is to combine in this work all the different methods of producing portraits, landscapes, painting on canvas, wood, china, etc., etc., to furnish to all lovers of the useful and beautiful in art a true teacher, making every instruction so plain and comprehensive, that a child can grasp the meaning. In thus combining all these arts in one volume, we save the learner the expense of purchasing a large number of books at a cost which effectually precludes the possibility of many engaging in this profitable and pleasant occupation. Then, to those whose tastes are artistically inclined, and who find it most inconvenient to obtain instructions in all the branches desired; to those in whom genius lies dormant and whom necessity compels to earn their own livelihood; to those who desire to combine pastime with pleasure, and to those who have the means, tastes and desire but not the necessary assistance at hand to ornament their homes, we respectfully dedicate our “Art Manual.”
Anonymous
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Preface
INTRODUCTORY REMARKS.
Contents
A LESSON IN DRAWING.
THE EFFECTS OF THE DRAWING IN DIFFERENT POSITIONS OF THE HORIZONTAL LINE.
Colors in NATURE.
PEN AND PENCIL DRAWING,
THE USE OF THE PENTAGRAPH.
COPYING WITH TRANSPARENT PAPER.
PASTEL PAINTING,
PORTRAITS.
MATERIALS FOR PASTEL DRAWING.
WATER COLORS.
INSTRUCTIONS.
MATERIALS USED.
MIXED TINTS.
IMPROVED METHOD.
DIRECTIONS FOR COLORING.
TRANSPARENCIES.
INSTRUCTION.
VITREMANIE.
FOR THE EASY AND INEXPENSIVE DECORATION OF WINDOWS, CHURCHES, PUBLIC BUILDINGS, AND PRIVATE HOUSES.
DIAPHANIE.
CHINA PAINTING.
Colors Used, and the Process of Burning them in.
MONOCHROME PAINTING ON PORCELAIN OR EARTHENWARE.
INSTRUCTION.
PAINTING THE HEAD IN COLORS ON PORCELAIN.
STYLE OF BOUCHER.
DIRECTIONS FOR PACKING DECORATED CHINA,
FIRING GENERALLY DONE TWICE A WEEK.
TERRA-COTTA PAINTING.
ENAMEL PAINTING ON TERRA-COTTA.
OIL PAINTING ON TERRA-COTTA.
WATER-COLOR PAINTING ON TERRA-COTTA.
DIRECTIONS.
PAPER-FLOWER MAKING.
THE ARRANGEMENT OF BOUQUETS, MATERIALS USED, ETC.
CRIMSON RHODODENDRON.
WHITE CAMELLIA.
ROSE.
PINK FUCHSIA.
ARRANGEMENT OR GROUPING OF FLOWERS.
THE FRENCH ART.
Pearl Embroidery
FEATHER FLOWERS,
GILDING.
JAPANESE ART.
GILDING THE BORDERS OF GLASS,
ETCHING ON COPPER.
KENSINGTON PAINTING.
ANALYSIS OF COLORS
THEIR NATURE AND QUALITY.
TAXIDERMY
SKINNING.
SKINNING, PRESERVING AND MOUNTING BIRDS.
SKINNING.
SKINNING, PRESERVING, AND SETTING UP REPTILES, AND MOLLUSCOUS ANIMALS, ETC.
PRESERVING SPIDERS, GALLY-WORMS, AND INSECTS.
SHELL FISH, TO PRESERVE—AND THE ART OF POLISHING SHELLS.
THE CHASE AND MANNER OF COLLECTING ANIMALS.
RECIPES
SOLUTION OF CORROSIVE SUBLIMATE.
ARSENICAL SOAP.
SOLUTION OF PEARL-ASHES.
ANNEALED IRON WIRE.
CEMENT.
GUM PASTE.
FLOUR PASTE.
SOLUTION OF GUM-ARABIC.
PAPER PASTE, GUMMED.
POLLEN POWDER.
RED VARNISH.
LUTING FOR RENDERING BOTTLES AIR TIGHT.
TOW AND FLAX SLIVERS.
METHOD OF MAKING ENAMEL-EYES FOR ANIMALS.
ARTICLES REQUIRED FOR SKINNING AND MOUNTING QUADRUPEDS, BIRDS, REPTILES, AND FISHES.
TRANSCRIBER’S NOTES