The Power of Music / In which is shown, by a variety of pleasing and instructive anecdotes, the effects it has on man and animals.

Obvious typographical errors have been silently corrected. All other spelling and punctuation remains unchanged.
The cover was prepared by the transcriber and is placed in the public domain.
The list of contents was provided by the transcriber.
THE POWER OF MUSIC, &c. &c.
PRINTED BY J. SWAN, 76, FLEET STREET, LONDON.
The Ox Minuet. Page 97. Published Dec. 1-1813, by J. Harris, corner of S t. Paul’s Church Yd. ]
IN WHICH IS SHOWN, BY A VARIETY OF PLEASING AND INSTRUCTIVE ANECDOTES, THE EFFECTS IT HAS ON Man and Animals.
LONDON : PRINTED FOR J. HARRIS, CORNER OF ST. PAUL’S CHURCH-YARD. 1814.
THE POWER OF MUSIC, &c. &c.
The following extraordinary instance of the effects of music, is related by M. Menuret.
“An unmarried lady, about thirty years of age, in consequence of violent grief in her youth, experienced various derangements in the natural functions, and was afterwards attacked by convulsions, which, at first, returned every month, and in the sequel, became more frequent. Medicines of every kind seemed only to aggravate the disorder; the fits recurred, not only every day, but several times a day, and were marked by an involuntary agitation of the limbs, by their rigidity, gnashing of the teeth without foam, and insensibility, Their duration was unequal: sometimes a quarter of an hour, but more frequently several hours; and concluded by an abundant discharge of tears. No expedient could be devised for her relief during these fits, nor did any remedy appear capable of preventing them, or of diminishing their violence, or their frequency: the most affectionate attention, travelling, diversions, amusements, were equally ineffectual.—Among the means that were tried on this occasion, was, fortunately, a concert, during which the young patient seemed highly delighted, and uncommonly well: she not only remained free from any convulsive fit while it lasted, but it afterwards returned later than usual. This method was repeated with the same result. The medical men by whom she was attended, availed themselves of the intervals of composure which it produced, to have recourse to other remedies. Long experience demonstrated their inutility; and repeated trials having proved the exclusive efficacy of music, her father, being obliged to return into the country, where he resided, engaged a musician to accompany and live with him. The soft melody of the violin or the piano forte, skilfully adapted to the taste and state of the patient, and often repeated, frequently prevents the convulsive fits, or abates their violence. This treatment, which has been solely employed for the last three years, has been attended with such success, that all the functions are restored to their natural state; and, for a year, the attacks are rare, and so slight, that the shortness of their duration does not always render it necessary to have recourse to the agreeable specific.”

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Transcriber’s Notes


CONVULSIONS RELIEVED BY MUSIC


RECOVERY OF THE VOICE BY MUSIC.


THE EFFECT OF MUSIC ON A HARE.


THE POWER OF MUSIC ON THE ELEPHANT.


THE EFFECT OF MUSIC ON A PERSON WHILE ASLEEP.


CONTRARY EFFECTS OF ITALIAN AND FRENCH MUSIC ON A GREEK LADY.


ANECDOTE OF ZAMPERINI.


EFFECTS OF MUSIC ON MICE AND SPIDERS.


ANECDOTE OF STRADELLA.


A MODERN TIMOTHEUS.


TIMOTHEUS THE MELISIAN.


THIRTY THOUSAND PERSONS SAVED BY THE WONDERFUL EFFECTS OF MUSIC.


PHILIP V. KING OF SPAIN.


THE MUSICAL PIGEON.


THE MUSICAL DOG.


THE EXTRAORDINARY EFFECTS OF MUSIC ON A BULL.


THE DYING MAN AND THE PIANO.


THE POWER OF MUSIC ON ANIMALS, IN THE WEST OF ENGLAND.


TWO INSTANCES OF THE SURPRISING EFFECTS OF MUSIC, AS RELATED IN THE HISTORY OF THE ROYAL ACADEMY OF SCIENCES, AT PARIS.


INTERESTING PARTICULARS OF MONSIEUR MOZART.


G. F. HANDEL, ESQ.


TARTINI, AN ITALIAN MUSICIAN.


MR. HANDEL.


FARINELLI AND HIS TAYLOR.


MR. ABELL.


HANDEL.


DR. ARNE.


JEREMIAH CLARKE.


HANDEL.


MR. BROWN.


LULLI.


MADAME LE MAUPIN.


ARCHANGELO CORELLI.


HENRY PURCELL, ESQ.


THE QUEEN OF SWEDEN.


THE ORIGIN OF CHANTING IN CATHEDRALS.


ORIGIN OF THE CELEBRATED OX MINUET, BY SIGNOR HAYDN.


MUSICAL BATTLE.


THE MEDICINAL EFFECTS OF MUSIC.


THE MUSICAL PRODIGY.


MASTER WILLIAM CROTCH, THE MUSICAL PHENOMENON.


ACCOUNT OF MADEMOISELLE THERESA PARADIS, OF VIENNA, THE CELEBRATED BLIND PERFORMER ON THE PIANO-FORTE.


THE LEGEND OF ST. CECILIA.


CLINIAS, THE PYTHAGOREAN.


THE SPARTAN POET TYRTŒUS.


THE RAGE OF THE EMPEROR THEODOSIUS SUBDUED BY MUSIC.


THE BISHOP OF ORLEANS RESTORED FROM PRISON BY MUSIC.


A WOMAN PREVENTED FROM STARVING HERSELF TO DEATH, BY MUSIC.


REMARKABLE EFFECTS OF A SWISS AIR.


THE DENMARK MUSICIAN.


WONDERFUL POWER OF MUSIC ON MADAME DE LA MARCH.


A RHODIAN MUSICIAN’S REPLY TO APOLLONIUS.


EXTRAORDINARY EFFECTS OF MUSIC ON SNAKES AND SERPENTS.


THE DANCING SNAKES.


CURIOUS CONTEST ABOUT THE ERECTION OF THE CELEBRATED ORGAN IN THE TEMPLE CHURCH, LONDON.


QUEEN MARY AND MR. PURCELL.


THE HIGHLAND CHARGING TUNE.


EFFECTS OF FOREIGN MUSIC ON DIFFERENT ANIMALS.


EFFECT OF MUSIC ON LIZARDS.


MUSICAL ANECDOTE FROM MARVILLE.


ACCOUNT OF THE RECITATION OF THE BOATMEN OF VENICE.


INDEX.

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Язык

Английский

Год издания

2021-10-11

Темы

Music, Influence of

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