Cooley's Cyclopædia of Practical Receipts and Collateral Information in the Arts, Manufactures, Professions, and Trades..., Sixth Edition, Volume II
INCLUDING Medicine, Pharmacy, Hygiene, and Domestic Economy DESIGNED AS A COMPREHENSIVE SUPPLEMENT TO THE PHARMACOPŒIA AND GENERAL BOOK OF REFERENCE FOR THE MANUFACTURER, TRADESMAN, AMATEUR, AND HEADS OF FAMILIES SIXTH EDITION REVISED AND GREATLY ENLARGED BY RICHARD V. TUSON, F.I.C., F.C.S. PROFESSOR OF CHEMISTRY IN THE ROYAL VETERINARY COLLEGE; FORMERLY LECTURER ON CHEMISTRY AT THE CHARING CROSS HOSPITAL. VOL. II
LONDON J. & A. CHURCHILL, NEW BURLINGTON STREET 1880
Ink, Lithograph′ic. Prep. 1. Mastic (in tears), 8 oz.; shell-lac, 12 oz.; Venice turpentine, 1 oz.; melt together, add, of wax, 1 lb.; tallow, 6 oz.; when dissolved, further add of hard tallow soap (in shavings), 6 oz.; and when the whole is perfectly combined add of lampblack, 4 oz.; lastly, mix well, cool a little, and then pour it into moulds, or upon a slab, and when cold cut it into square pieces.
2. (Lasteyrie.) Dry tallow soap, mastic (in tears), and common soda (in fine powder), of each 30 parts; shell-lac, 150 parts; lampblack, 12 parts; mix as last. Both the above are used for writing on lithographic stones.
3. (Autographic.)— a. Take of white wax, 8 oz., and white soap, 2 to 3 oz.; melt, and when well combined, add of lampblack, 1 oz.; mix well, heat it strongly, and then add of shell-lac, 2 oz.; again heat it strongly, stir well together, cool a little, and pour it out as before. With this ink lines may be drawn of the finest to the fullest class, without danger of its spreading, and the copy may be kept for years before being transferred.
b. From white soap and white wax, of each 10 oz.; mutton suet, 3 oz.; shell-lac and mastic, of each 5 oz.; lampblack, 3 1 ⁄ 2 oz.; mix as above. Both the above are used for writing on lithographic paper. When the last is employed, the transfer must be made within a week.
Obs. The above inks are rubbed down with a little water in a small cup or saucer for use, in the same way as common water-colour cakes or Indian ink. In winter the operation should be performed near the fire, or the saucer should be placed over a basin containing a little tepid water. Either a steel pen or a camel-hair pencil may be employed with the ink. See Lithography.