The Thin Red Line; and Blue Blood

E-text prepared by Suzanne Shell, Sankar Viswanathan, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/)
AUTHOR OF THE CHRONICLES OF NEWGATE, FAST AND LOOSE, ETC., ETC.
IN TWO VOLUMES.
LONDON: CHAPMAN and HALL Limited 1886

In the Paris of the first half of this century there was no darker, dingier, or more forbidding quarter than that which lay north of the Rue de Rivoli, round about the great central market, commonly called the Halles.
The worst part of it, perhaps, was the Rue Assiette d'Etain, or Tinplate Street. All day evil-looking loafers lounged about its doorways, nodding lazily to the passing workmen, who, blue-bloused, with silk cap on head, each with his loa under his arm, came to take their meals at the wine-shop at the corner; or gossiping with the porters, male and female, while the one followed closely his usual trade as a cobbler, and the other attended to her soup.
By day there was little traffic. Occasionally a long dray, on a gigantic pair of wheels, drawn by a long string of white Normandy horses in single file, with blue harness and jangling bells, filled up the road way. Costermongers trundled their barrows along with strange, unmusical cries. Now and again an empty cab returning to its stable, with weary horse and semi-somnolent coachman, crawled through the street.
But at night it was otherwise. Many vehicles came dashing down Tinplate Street: carriages, public and private, of every variety, from the rattletrap cab hired off the stand, or the decent coach from the livery stable, to the smart spick-and-span brougham, with its well-appointed horses and servants in neat livery. They all set down at the same door, and took up from it at any hour between midnight and dawn, waiting patiently in file in the wide street round the corner, till the summons came as each carriage was required.
As seen in the daytime, there was nothing strange about the door, or the house to which it gave access. The place purported to be an hotel—a seedy, out-at-elbows, seemingly little-frequented hotel, rejoicing in the altogether inappropriate name of the Hôtel Paradis, or the Paradise Hotel. Its outward appearance was calculated to repel rather than invite customers; no one would be likely to lodge there who could go elsewhere. It had habitually a deserted look, with all its blinds and casements close shut, as though its lodgers slept through the day, or had gone away, never to return.