The Masques of Ottawa
E-text prepared by Al Haines
Transcriber's note:
Domino is the pseudonym of Augustus Bridle (1869-?)
Wherefore are these things hid ?
We will draw the curtain and show you the picture. —SHAKESPEARE.
Toronto: The MacMillan Company of Canada, Ltd., at St. Martin's House. MCMXXI. Copyright, Canada, 1921. By the MacMillan Company of Canada, Limited.
Do not imagine that I spend much time at once in Ottawa. I have never liked the kind of play-house that politicians have made on that glorious plateau in a valley of wonderland with a river of dreams rolling past to the sea. Where under heaven is any other Capital so favoured by the great scenic artist? On what promontory do parliamentary towers and gables so colossally arise to enchant the vision? The Thames draws the ships of the world and crawls muddily and lazily out to sea wondering what haphazard of history ever concentrated so much commerce, politics and human splendour on the banks of one large ditch. Ottawa's house of political drama overlooks one of the noblest rivers in the world, that takes its rise in everlasting hills of granite and pines.
One, Laurier, used to dream that he would devote his declining days to making Ottawa beautiful as a city as she is for the site of a capital. To him as to others, Rome, London, Paris, Vienna, Washington, should all in time be rivalled by Ottawa the magnificent. But the saw-mill surveyors of Ottawa spoiled that when they made no approach to Parliament Hill to compare to the vista seen from the river. Ottawa was built for convenience: for opportunity: for expediency.
Parliament is its great show. Politicians are the actors. Time has seen some interesting, almost baffling, dramas on that hill. No other Parliament stands midway of so vast a country. But there are people who prefer Hull, P.Q., to Ottawa, Ont. We have had some mild Mephistos of strategy up there: some prophets of eloquence: some dreamers of imagination: giants of creative energy scheming how to draw a young, vast country together into nationhood so that the show-men on Parliament Hill might have an audience.
Augustus Bridle
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THE MASQUES OF OTTAWA
THE PLAY-HOUSE CALLED OTTAWA.
CONTENTS
CONCLUSION
THE MASQUES OF OTTAWA
THE UNELECTED PREMIER OF CANADA
THE PERFECT GENTLEMAN PREMIER
A POLITICAL SOLAR SYSTEM
THE GRANDSON OF A PATRIOT
NUMBER ONE HARD
THE PREMIER WHO MOWED FENCE-CORNERS
EZEKIEL AT A LEDGER
A HALO OF BILLIONS
CALLED TO THE POLITICAL PULPIT
AN AUTOCRAT FOR DIVIDENDS
THE PUBLIC SERVICE HOBBYIST
THE SHADOW AND THE MAN
THE STEREOPTICON AND THE SLIDE
A COAT OF MANY COLOURS
WHATSOEVER THY HAND FINDETH
NO FATTED CALVES FOR PRODIGAL SONS
THE PERSONAL EQUATION IN RAILROADING
A BOURGEOIS MASTER OF QUEBEC
A POLITICAL MATTAWA OF THE WEST
HEADMASTER OF THE MANCHESTER SCHOOL
THE SPHINX FROM SASKATCHEWAN
A TRUE VOICE OF LABOUR
A MAN WITHOUT A PUBLIC
THE IMPERIAL BRAINSTORM
CONCLUSION