Devereux — Complete

IN this edition of a work composed in early youth, I have not attempted to remove those faults of construction which may be sufficiently apparent in the plot, but which could not indeed be thoroughly rectified without re-writing the whole work. I can only hope that with the defects of inexperience may be found some of the merits of frank and artless enthusiasm. I have, however, lightened the narrative of certain episodical and irrelevant passages, and relieved the general style of some boyish extravagances of diction. At the time this work was written I was deeply engaged in the study of metaphysics and ethics, and out of that study grew the character of Algernon Mordaunt. He is represented as a type of the Heroism of Christian Philosophy,—a union of love and knowledge placed in the midst of sorrow, and labouring on through the pilgrimage of life, strong in the fortitude that comes from belief in Heaven.
KNEBWORTH, May 3, 1852.
E. B. L.
DEDICATORY EPISTLE TO JOHN AULDJO, ESQ., ETC., AT NAPLES LONDON.
MY DEAR AULDJO,—Permit me, as a memento of the pleasant hours we passed together, and the intimacy we formed by the winding shores and the rosy seas of the old Parthenope, to dedicate to you this romance. It was written in perhaps the happiest period of my literary life,—when success began to brighten upon my labours, and it seemed to me a fine thing to make a name. Reputation, like all possessions, fairer in the hope than the reality, shone before me in the gloss of novelty; and I had neither felt the envy it excites, the weariness it occasions, nor (worse than all) that coarse and painful notoriety, that, something between the gossip and the slander, which attends every man whose writings become known,—surrendering the grateful privacies of life to
“The gaudy, babbling, and remorseless day.”
In short, yet almost a boy (for, in years at least, I was little more, when “Pelham” and “The Disowned” were conceived and composed), and full of the sanguine arrogance of hope, I pictured to myself far greater triumphs than it will ever be mine to achieve: and never did architect of dreams build his pyramid upon (alas!) a narrower base, or a more crumbling soil!... Time cures us effectually of these self-conceits, and brings us, somewhat harshly, from the gay extravagance of confounding the much that we design with the little that we can accomplish.