The Parisians — Volume 11

Produced by David Widger
By Edward Bulwer-Lytton
Amoung the frets and checks to the course that never did run smooth, there is one which is sufficiently frequent, for many a reader will remember the irritation it caused him. You have counted on a meeting with the beloved one unwitnessed by others, an interchange of confessions and vows which others may not hear. You have arranged almost the words in which your innermost heart is to be expressed; pictured to yourself the very looks by which those words will have their sweetest reply. The scene you have thus imagined appears to you vivid and distinct, as if foreshown in a magic glass. And suddenly, after long absence, the meeting takes place in the midst of a common companionship: nothing that you wished to say can be said. The scene you pictured is painted out by the irony of Chance; and groups and backgrounds of which you had never dreamed start forth from the disappointing canvas. Happy if that be all! But sometimes, by a strange, subtle intuition, you feel that the person herself is changed; and sympathetic with that change, a terrible chill comes over your own heart.
Before Graham had taken his seat at the table beside Isaura, he felt that she was changed to him. He felt it by her very touch as their hands met at the first greeting,—by the tone of her voice in the few words that passed between them,—by the absence of all glow in the smile which had once lit up her face, as a burst of sunshine lights up a day in spring, and gives a richer gladness of colour to all its blooms. Once seated side by side they remained for some moments silent. Indeed, it would have been rather difficult for anything less than the wonderful intelligence of lovers between whom no wall can prevent the stolen interchange of tokens, to have ventured private talk of their own amid the excited converse which seemed all eyes, all tongues, all ears, admitting no one present to abstract himself from the common emotion. Englishmen do not recognise the old classic law which limited the number of guests, where banquets are meant to be pleasant, to that of the Nine- Muses. They invite guests so numerous, and so shy of launching talk across the table, that you may talk to the person next to you not less secure from listeners than you would be in talking with the stranger whom you met at a well in the Sahara. It is not so, except on state occasions, at Paris. Difficult there to retire into solitude with your next neighbour. The guests collected by Duplessis completed with himself the number of the Sacred Nine—the host, Valerie, Rochebriant, Graham, Isaura, Signora Venosta, La Duchesse de Tarascon, the wealthy and high- born Imperialist, Prince ————, and last and least, one who shall be nameless.