What Will He Do with It? — Volume 03 - Baron Edward Bulwer Lytton Lytton

What Will He Do with It? — Volume 03

This eBook was produced by David Widger
Certes, the lizard is a shy and timorous creature. He runs into chinks and crannies if you come too near to him, and sheds his very tail for fear, if you catch it by the tip. He has not his being in good society: no one cages him, no one pets. He is an idle vagrant. But when he steals through the green herbage, and basks unmolested in the sun, he crowds perhaps as much enjoyment into one summer hour as a parrot, however pampered and erudite, spreads over a whole drawing-room life spent in saying How dye do and Pretty Poll.
ON that dull and sombre summer morning in which the grandfather and grandchild departed from the friendly roof of Mr. Merle, very dull and very sombre were the thoughts of little Sophy. She walked slowly behind the gray cripple, who had need to lean so heavily on his staff, and her eye had not even a smile for the golden buttercups that glittered on dewy meads alongside the barren road.
Thus had they proceeded apart and silent till they had passed the second milestone. There, Waife, rousing from his own reveries, which were perhaps yet more dreary than those of the dejected child, halted abruptly, passed his hand once or twice rapidly over his forehead, and, turning round to Sophy, looked into her face with great kindness as she came slowly to his side.
You are sad, little one? said he.
Very sad, Grandy.
And displeased with me? Yes, displeased that I have taken you suddenly away from the pretty young gentleman, who was so kind to you, without encouraging the chance that you were to meet with him again.
It was not like you, Grandy, answered Sophy; and her under-lip slightly pouted, while the big tears swelled to her eye.
True, said the vagabond; anything resembling common-sense is not like me. But don't you think that I did what I felt was best for you? Must I not have some good cause for it, whenever I have the heart deliberately to vex you?
Sophy took his hand and pressed it, but she could not trust herself to speak, for she felt that at such effort she would have burst out into hearty crying. Then Waife proceeded to utter many of those wise sayings, old as the hills, and as high above our sorrows as hills are from the valley in which we walk. He said how foolish it was to unsettle the mind by preposterous fancies and impossible hopes. The pretty young gentleman could never be anything to her, nor she to the pretty young gentleman. It might be very well for the pretty young gentleman to promise to correspond with her, but as soon as he returned to his friends he would have other things to think of, and she would soon be forgotten; while she, on the contrary, would be thinking of him, and the Thames and the butterflies, and find hard life still more irksome. Of all this, and much more, in the general way of consolers who set out on the principle that grief is a matter of logic, did Gentleman Waife deliver himself with a vigour of ratiocination which admitted of no reply, and conveyed not a particle of comfort. And feeling this, that great actor—not that he was acting then-suddenly stopped, clasped the child in his arms, and murmured in broken accents,— But if I see you thus cast down, I shall have no strength left to hobble on through the world; and the sooner I lie down, and the dust is shovelled over me, why, the better for you; for it seems that Heaven sends you friends, and I tear you from them.

Baron Edward Bulwer Lytton Lytton
Содержание

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BOOK III.


CHAPTER I.


CHAPTER II.


CHAPTER III.


CHAPTER IV.


CHAPTER V.


CHAPTER VI.


CHAPTER VII.


CHAPTER VIII.


CHAPTER IX.


CHAPTER X.


CHAPTER XI.


CHAPTER XII.


Act II. opens with a dialogue spoken off the stage. Invisible dramatis persona, that subsist, with airy tongues, upon the mimetic art of the Comedian. You understand that there is a vehement dispute going on. The dog must not be admitted into a part of the gardens where a more refined and exclusive section of the company have hired seats, in order to contemplate, without sharing, the rude dances or jostling promenade of the promiscuous merry-makers. Much hubbub, much humour; some persons for the dog, some against him; privilege and decorum here, equality and fraternity there. A Bonapartist colonel sees the cross on the soldier's breast, and, /mille tonnerres/! he settles the point. He pays for three reserved seats,—one for the soldier, one for the child, and a third for the dog. The veteran enters,—the child, not strong enough to have pushed through the crowd, raised on his shoulder, Rolla-like; the dog led by a string. He enters erect and warrior-like; his spirit has been roused by contest; his struggles have been crowned by victory. But (and here the art of the drama and the actor culminated towards the highest point)—but he now at once includes in the list of his dramatis persona the whole of his Gatesboro' audience. They are that select company into which he has thus forced his way. As he sees them seated before him, so calm, orderly, and dignified, /mauvaise honte/ steals over the breast more accustomed to front the cannon than the battery of ladies' eyes. He places the child in a chair abashed and humbled; he drops into a seat beside her shrinkingly; and the dog, with more self-possession and sense of his own consequence, brushes with his paw some imaginary dust from a third chair, as in the superciliousness of the well dressed, and then seats himself, and looks round with serene audacity.


CHAPTER XIII.


CHAPTER XIV.


CHAPTER XV.


CHAPTER XVI.


CHAPTER XVII.


CHAPTER XVIII.


CHAPTER XIX.


CHAPTER XX.


CHAPTER XXI.


CHAPTER XXII.


CHAPTER, XXIII.


CHAPTER XXIV.

О книге

Язык

Английский

Год издания

2005-03-01

Темы

English fiction -- 19th century

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