Dialogues of the Dead

Transcribed from the 1889 Cassell & Company edition by David Price, email ccx074@coventry.ac.uk
by LORD LYTTELTON.
CASSELL & COMPANY, Limited: london , paris , new york & melbourne . 1889.
George, Lord Lyttelton, was born in 1709, at Hagley, in Worcestershire. He was educated at Eton and at Christchurch, Oxford, entered Parliament, became a Lord of the Treasury and Chancellor of the Exchequer. In 1757 he withdrew from politics, was raised to the peerage, and spent the last eighteen years of his life in lettered ease. In 1760 Lord Lyttelton first published these “Dialogues of the Dead,” which were revised for a fourth edition in 1765, and in 1767 he published in four volumes a “History of the Life of King Henry the Second and of the Age in which he Lived,” a work upon which he had been busy for thirty years. He began it not long after he had published, at the age of twenty-six, his “Letters from a Persian in England to his Friend at Ispahan.” If we go farther back we find George Lyttelton, aged twenty-three, beginning his life in literature as a poet, with four eclogues on “The Progress of Love.”
To the last Lord Lyttelton was poet enough to feel true fellowship with poets of his day. He
loved good literature, and his own works show that he knew it. He counted Henry Fielding among his friends; he was a friend and helper to James Thomson, the author of “The Seasons;” and when acting as secretary to the king’s son, Frederick, Prince of Wales (who held a little court of his own, in which there was much said about liberty), his friendship brought Thomson and Mallet together in work on a masque for the Prince and Princess, which included the song of “Rule Britannia.”
Before Lord Lyttelton followed their example, “Dialogues of the Dead” had been written by Lucian, and by Fenelon, and by Fontenelle; and in our time they have been written by Walter Savage Landor. This half-dramatic plan of presenting a man’s own thoughts upon the life of man and characters of men, and on the issues of men’s characters in shaping life, is a way of essay writing pleasant alike to the writer and the reader. Lord Lyttelton was at his best in it. The form of writing obliged him to work with a lighter touch than he used when he sought to maintain the dignity of history by the style of his “History of Henry II.” His calm liberality of mind enters into the discussion of many