Ariosto, Shakespeare and Corneille

Evviva L'Italia! Italy, Britain's ancient friend and loyal ally, has been an important factor both in winning the war and in bringing it to an earlier conclusion. The War! That greatest practical effort that the world has ever made is now over and we must all work to make it a better place for all to live in.
Now at the hands of her philosopher-critic, Italy offers us a first effort at reconstruction of our world-view with this masterly treatise on the greatest poet of the English-speaking world, so original and so profound that it will serve as guide to generations yet unborn. And it will not be only the critics of Shakespeare who should benefit by this treatise, but all critics and lovers of poetry—including prose—who go beyond the passive stage of mere admiration. The essays on Ariosto and Corneille are also unique and the three together should inaugurate everywhere a new era in literary criticism.
These are the first of Benedetto Croce's literary criticisms to see the light in English.

They are profound and suggestive, because based upon theory, the Theory of Aesthetic, with which some readers will be acquainted in the original, others in the version by the present translator. These will not need to be told that Croce's theory of the independence and autonomy of the aesthetic fact, which is intuition-expression, and of the essentially lyrical character of all art, is the only one that completely and satisfactorily explains the problem of poetry and the fine arts.
But this is not the place for philosophical discussion, although it is important to stress the point, that all criticism is based upon philosophy, and that therefore if the philosophy upon which it is based is unsound, the criticism suffers accordingly. Croce has elsewhere shown that the shortcomings of such critics as Sainte-Beuve, Taine, Lemaître and Brunetière are due to incorrect or insufficient philosophical knowledge and a similar criterion can be applied at home with equal truth.