King Eric and the Outlaws, Vol. 1 / or, the Throne, the Church, and the People in the Thirteenth Century.

Transcriber's Note: 1. Page scan source: http://www.archive.org/details/kingericandoutl02chapgoog
The Publishers of this work give notice that it is Copyright, and that in case of infringement they will avail themselves of the Protection now granted by Parliament to English Literature.
Any person having in his possession for sale or for hire a Foreign edition of an English Copyright is liable to a penalty, which the Publishers of this work intend to enforce.
It is necessary also to inform the Public generally, that single Copies of such works imported by travellers for their own reading are now prohibited, and the Custom-house officers in all our ports have strict orders to this effect.
The above regulations are equally in force in our Dependencies and Colonial Possessions.
London , June , 1843.
The historical records and traditions of Denmark, as well as the modern productions of Danish genius, are almost equally unknown to the general reader is England. While German, Swedish, and Italian works of any recognised merit, readily find translators, and the ancient ballads of Spain have received their English dress from an able and poetic pen, it appears somewhat singular that so little notice has hitherto been bestowed on the literature of a country, whose rich historical recollections are so closely interwoven with those of Anglo-Saxon England.
Though but little known in other lands, the ancient traditional lore of Scandinavia is nevertheless the source from which some of the most distinguished Danish writers of the present day, have selected their happiest themes, and drawn their brightest inspiration. The influence of the Saga, or traditional romance of Scandinavia, and of the Kjœmpe Visé, or heroic ballad, is peculiarly apparent in the works of M. Ingemann.
The close adherence to historic outline--the development of character by action and dialogue--the delineation of scenery by brief though vivid sketches, in preference to elaborate description, are characteristics of Saga romance which M. Ingemann has been eminently successful in imparting to his own delineations of the chivalrous age of Denmark.