Hall of Mirrors - Brown Fredric

Hall of Mirrors

For an instant you think it is temporary blindness, this sudden dark that comes in the middle of a bright afternoon.
It must be blindness, you think; could the sun that was tanning you have gone out instantaneously, leaving you in utter blackness?
Then the nerves of your body tell you that you are standing, whereas only a second ago you were sitting comfortably, almost reclining, in a canvas chair. In the patio of a friend’s house in Beverly Hills. Talking to Barbara, your fiancee. Looking at Barbara—Barbara in a swimsuit—her skin golden tan in the brilliant sunshine, beautiful.
You wore swimming trunks. Now you do not feel them on you; the slight pressure of the elastic waistband is no longer there against your waist. You touch your hands to your hips. You are naked. And standing.
Whatever has happened to you is more than a change to sudden darkness or to sudden blindness.
You raise your hands gropingly before you. They touch a plain smooth surface, a wall. You spread them apart and each hand reaches a corner. You pivot slowly. A second wall, then a third, then a door. You are in a closet about four feet square.
Your hand finds the knob of the door. It turns and you push the door open.
There is light now. The door has opened to a lighted room … a room that you have never seen before.
It is not large, but it is pleasantly furnished—although the furniture is of a style that is strange to you. Modesty makes you open the door cautiously the rest of the way. But the room is empty of people.
You step into the room, turning to look behind you into the closet, which is now illuminated by light from the room. Thecloset is and is not a closet; it is the size and shape of one, but it contains nothing, not a single hook, no rod for hanging clothes, no shelf. It is an empty, blank-walled, four-by-four foot space.
You close the door to it and stand looking around the room. It is about twelve by sixteen feet. There is one door, but it is closed. There are no windows. Five pieces of furniture. Four of them you recognize—more or less. One looks like a very functional desk. One is obviously a chair… a comfortable-looking one. There is a table, although its top is on several levels instead of only one. Another is a bed, or couch. Something shimmering is lying across it and you walk over and pick the shimmering something up and examine it. It is a garment.

Brown Fredric
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О книге

Язык

Английский

Год издания

1953

Издатель

Galaxy Publishing Corporation

Темы

sf

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