Constable
MASTERPIECES IN COLOUR
EDITED BY T. LEMAN HARE
CONSTABLE
1776-1837
PLATE I.—THE VALLEY FARM.
(Frontispiece).
National Gallery.
In The Valley Farm, exhibited at the Royal Academy in 1835, two years before his death, Constable returned to the scenes of his boyhood, to Willy Lott's house on the banks of the Stour. His hand and eye have lost something of their grip and freshness, but his purpose is as firm as ever. I have preserved God Almighty's day light, he wrote, which is enjoyed by all mankind, excepting only the lovers of old, dirty canvas, perished pictures at a thousand guineas each, cart grease, tar, and snuff of candle. The old Adam, you perceive, was still strong in him.
CONSTABLE
BY C. LEWIS HIND
C. Lewis Hind
---
PLATE I.—THE VALLEY FARM.
CHAPTER I
THE YEAR 1824
PLATE II.—THE HAY WAIN.
CHAPTER II
THE BROWN TREE
PLATE III.—THE CORNFIELD, OR COUNTRY LANE.
CHAPTER III
HIS LIFE
PLATE IV.—FLATFORD MILL ON THE RIVER STOUR.
PLATE V.—DEDHAM MILL.
PLATE VI.—A COUNTRY LANE.
CHAPTER IV
HIS SKETCHES
PLATE VII.—SALISBURY CATHEDRAL FROM THE BISHOP'S GARDEN.
CHAPTER V
HIS PICTURES
PLATE VIII.—SALISBURY.
CHAPTER VI
HIS PERSONALITY AND OPINIONS