Gaut Gurley; Or, the Trappers of Umbagog: A Tale of Border Life
Produced by Wendy Crockett, David Moynihan, Charles Franks
and the Online Distributed Proofreading Team.
Town and Country contrasted, in relation to Vice and Crime.—A Display Party to avoid Bankruptcy.—Gaut Gurley, and other leading Characters, introduced as Actors in this scene of City Life.
Retrospect of the life of the Country Merchant, in making Money, to become a Solid Man of Boston. —Humble Beginnings.—Tempted into Smuggling from Canada in Embargo times, and makes a Fortune, by the aid of the desperate and daring Services of Gaut Gurley.—A Sketch of the Wild Scenes of Smuggling over the British line into Vermont and New Hampshire.—Removal to the City.
Gambling (an allegory) invented by the Fiends, and is proclaimed the Premium Vice by Lucifer.—A Gambling Scene between Gaut Gurley and the merchant, Mark Elwood.—The Failure of the latter.—The Refusal of his brother, Arthur Elwood, to help him.—The Surprise and Distress of his Family.
The Downward Path of the Habitual Gambler.—His Family sharing in the Degradation, and becoming the suffering Victims of his Vices.—The Sudden Resolve to be a Man again, and remove to an unsettled Country, to begin Life anew in the Woods.
The moral and intellectual Influences of Forest Life.—Scenery of Umbagog.—Description of Elwood's new Home in the Woods.—The Burning of his first Slash .—His House catches Fire, and he and his Wife engage in extinguishing it, praying for the return of their Son, Claud Elwood, to help them in their terrible strait.
Claud Elwood and his Forest Musings.—Dangerous Assault, and slaying of a Moose.—Rescue of Gaut's Daughter from the enraged animal.—Strange Developments.—Incipient Love Scene.—Trout-catching.—Return of Claud and Phillips (the Old Hunter here first introduced), to aid in saving the Elwood Cottage from the fire.—The Thunder-shower comes to complete the conquest of the fire.—The destruction of the King Pine by a Thunderbolt.
Journey up the Magalloway, to bring home the slaughtered Moose.—Love and its entanglements; its Sunshine now, its Storms in the distance.
Daniel P. Thompson
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GAUT GURLEY;
CONTENTS
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
SEQUEL.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
SEQUEL.