The Return of Peter Grimm / Novelised From the Play
The train drew to a halt at the Junction. There was a fine jolt that ran the length of the cars, followed by a clank of couplings and a half-intelligible call from the conductor.
The passengers,—dusty, jaded, crossly annoyed at the need of changing cars,—gathered up their luggage and filed out onto the bare, roofless station platform. There, after a look down the long converging rails in vain hope of sighting the train they were to take, they fell to glancing about the cheerless station environs.
Far away were rolling hills, upland fields of wind-swept wheat, cool, dark stretches of woodland. But around the station were areas of ill-kept lots, with here and there a jerry-built cottage, sadly in need of shoring, and bereft of paint. Across the road on one side stood the general store with its clump of porch-step loafers and its windows full of gaudy advertisements. To the side, and parallel with the tracks, sprawled a huge, weather-buffeted signboard that read:
Grimm's Botanical Gardens and Nurseries. 1 Mile.
The passengers eyed the half-defaced lettering, pessimistically. But almost at once they received a far pleasanter reminder of the botanical gardens. A boy, flushed with running, and evidently distressed at being late, pattered up the road and onto the platform. From one of his fragile arms hung a great basket. The lid had fallen aside and showed the basket piled to the brim with fresh flowers.
Hurrying to the nearest passenger—an obese travelling man who mopped a very red face,—the boy timidly held a Gloire de Dijon rose up to him and recited with parrot-like glibness:
With the compliments of Peter Grimm.
The fat man half unconsciously took the rose from the little hand and stood looking as though in dire doubt what to do with it. The boy did not help him out. Already he had moved on to the next passenger,—this time a man of clerical bearing and suspiciously vivid nose,—and handed him a gleaming Madonna lily.
With the compliments of Peter Grimm, he announced, passing on to the next.
David Belasco
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The Return of Peter Grimm
NOVELISED FROM THE PLAY
DAVID BELASCO
ILLUSTRATIONS BY JOHN RAE
A MAN AND A MAID
THE HEIR
PETER GRIMM HAS A PLAN
A WARNING AND A THEORY
A QUEER COMPACT
BREAKING THE NEWS
THE HAND RELAXES
AFTERWARD
THE EVE OF A WEDDING
A WASTED PLEA
THE LEGACIES
MOSTLY CONCERNING GRATITUDE
THE RETURN
"I CAN'T GET IT ACROSS"
A HALF-HEARD MESSAGE
THE "SENSITIVE"
MR. BATHOLOMMEY TESTIFIES
DR. McPHERSON'S STATEMENT
BACK TO THE STORY
THE BENEFIT OF THE DOUBT
"ONLY ONE THING REALLY COUNTS"
"ALL THAT HAPPENS, HAPPENS AGAIN"
THE DAWNING
THE GOOD-BYE