Humorous Ghost Stories
G. P. PUTNAM'S SONS NEW YORK AND LONDON The Knickerbocker Press 1921
To DR. AND MRS. JOHN T. HARRINGTON
Life flings miles and years between us, It is true,— But brings never to me dearer Friends than you!
The humorous ghost is distinctly a modern character. In early literature wraiths took themselves very seriously, and insisted on a proper show of respectful fear on the part of those whom they honored by haunting. A mortal was expected to rise when a ghost entered the room, and in case he was slow about it, his spine gave notice of what etiquette demanded. In the event of outdoor apparition, if a man failed to bare his head in awe, the roots of his hair reminded him of his remissness. Woman has always had the advantage over man in such emergency, in that her locks, being long and pinned up, are less easily moved—which may explain the fact (if it be a fact!) that in fiction women have shown themselves more self-possessed in ghostly presence than men. Or possibly a woman knows that a masculine spook is, after all, only a man, and therefore may be charmed into helplessness, while the feminine can be seen through by another woman and thus disarmed. The majority of the comic apparitions, curiously enough, are masculine. You don't often find women wraithed in smiles—perhaps because they resent being made ridiculous, even after they're dead. Or maybe the reason lies in the fact that men have written most of the comic or satiric ghost stories, and have chivalrously spared the gentler shades. And there are very few funny child-ghosts—you might almost say none, in comparison with the number of grown-ups. The number of ghost children of any or all types is small proportionately—perhaps because it seems an unnatural thing for a child to die under any circumstances, while to make of him a butt for jokes would be unfeeling. There are a few instances, as in the case of the ghost baby mentioned later, but very few.
Ancient ghosts were a long-faced lot. They didn't know how to play at all. They had been brought up in stern repression of frivolities as haunters—no matter how sportive they may have been in life—and in turn they cowed mortals into a servile submission. No doubt they thought of men and women as mere youngsters that must be taught their place, since any living person, however senile, would be thought juvenile compared with a timeless spook.
Dorothy Scarborough
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SELECTED, WITH AN INTRODUCTION
DOROTHY SCARBOROUGH, Ph.D.
CONTENTS
HUMOROUS GHOST STORIES
The Canterville Ghost
The Ghost-Extinguisher
“Dey Ain't No Ghosts”
The Transferred Ghost
The Mummy's Foot
The Rival Ghosts
Back from That Bourne
The Ghost-Ship
The Transplanted Ghost
The Last Ghost in Harmony
The Ghost of Miser Brimpson
The Haunted Photograph
The Ghost that Got the Button
The Specter Bridegroom
The Specter of Tappington
In the Barn
A Shady Plot
The Lady and the Ghost
From
A Southern Porch
G. P. Putnam's Sons
G. P. Putnam's Sons