The Early Short Fiction of Edith Wharton — Part 2

“Oh, there is one, of course, but you’ll never know it.”
The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.
The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal “feature.” Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: “Well, there’s Lyng, in Dorsetshire. It belongs to Hugo’s cousins, and you can get it for a song.”
The reasons she gave for its being obtainable on these terms—its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities—were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.
“I should never believe I was living in an old house unless I was thoroughly uncomfortable,” Ned Boyne, the more extravagant of the two, had jocosely insisted; “the least hint of ‘convenience’ would make me think it had been bought out of an exhibition, with the pieces numbered, and set up again.” And they had proceeded to enumerate, with humorous precision, their various suspicions and exactions, refusing to believe that the house their cousin recommended was really Tudor till they learned it had no heating system, or that the village church was literally in the grounds till she assured them of the deplorable uncertainty of the water-supply.