The girls

BY EDNA FERBER
GARDEN CITY, N. Y., AND TORONTO DOUBLEDAY, PAGE & COMPANY 1921
COPYRIGHT, 1921, BY DOUBLEDAY, PAGE & COMPANY
ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
COPYRIGHT, 1921, BY THE CROWELL PUBLISHING COMPANY
PRINTED AT GARDEN CITY, N. Y., U. S. A.
TO LILLIAN ADLER WHO SHIES AT BUTTERFLIES BUT NOT AT LIFE
It is a question of method. Whether to rush you up to the girls pellmell, leaving you to become acquainted as best you can; or, with elaborate slyness, to slip you so casually into their family life that they will not even glance up when you enter the room, or leave it; or to present the three of them in solemn order according to age, epoch, and story. This last would mean beginning with great-aunt Charlotte Thrift, spinster, aged seventy-four; thence to her niece and namesake Lottie Payson, spinster, aged thirty-two; finishing with Lottie's niece and namesake Charley Kemp, spinster, aged eighteen and a half—you may be certain nobody ever dreamed of calling her Charlotte. If you are led by all this to exclaim, aghast, A story about old maids! —you are right. It is. Though, after all, perhaps one couldn't call great-aunt Charlotte an old maid. When a woman has achieved seventy-four, a virgin, there is about her something as sexless, as aloof and monumental, as there is about a cathedral or a sequoia. Perhaps, too, the term is inappropriate to the vigorous, alert, and fun-loving Lottie. For that matter, a glimpse of Charley in her white woolly sweater and gym pants might cause you to demand a complete retraction of the term. Charley is of the type before whom this era stands in amazement and something like terror. Charley speaks freely on subjects of which great-aunt Charlotte has never even heard. Words obstetrical, psychoanalytical, political, metaphysical and eugenic trip from Charley's tongue. Don't think that Charley is a highbrow (to use a word fallen into disuse). Not at all. Even her enemies admit, grudgingly, that she packs a nasty back-hand tennis wallop; and that her dancing is almost professional. Her chief horror is of what she calls sentiment. Her minor hatreds are glad books, knitted underwear, corsets, dirt both physical and mental, lies, fat minds and corporeal fat. She looks her best in a white fuzzy sweater. A shade too slim and boyish, perhaps, for chiffons.