Popular Technology; or, Professions and Trades. Vol. 2 (of 2)
AUTHOR OF THE SYMBOLICAL SPELLING-BOOK, THE SPELLER AND DEFINER, AND A PRACTICAL GRAMMAR.
EMBELLISHED WITH EIGHTY-ONE ENGRAVINGS.
IN TWO VOLUMES.
NEW YORK: HARPER & BROTHERS, PUBLISHERS. 1870.
Entered, according to Act of Congress, in the year 1841, by Harper & Brothers, in the Clerk's Office of the Southern District of New York.
1. The word Music , in its modern application, has reference to the science which treats of the combination of sounds. It is founded upon the law of our nature, that every leading passion has its peculiar tone or note of expression understood by all human beings. Music, therefore, may be supposed to have been practised in the earliest ages; although it must have been a long time before it arose to the importance of a science.
2. According to the Mosaic records, Jubal, one of the descendants of Cain, played upon musical instruments, many hundred years before the flood. In the early period of the nations of antiquity, and in fact among all semi-barbarous people of later periods, the character of poet and singer were united in the same individual; and the voice was frequently accompanied by musical instruments. The oldest song which has descended to our times, and which is stated to have been exhibited in this manner, was that sung by Miriam, the sister of Moses, on the occasion of the passage of the Red Sea by the children of Israel.
3. The Hebrews employed music in their celebration of religious worship, which consisted, in part, in chanting solemn psalms with instrumental accompaniments. It was also used by them on the occasion of entertainments, as well as in the family circle. It reached its greatest perfection amongst the Jews, in the days of David and Solomon. It is supposed, that the priests of Egypt were versed in music, before the settlement of the family of Jacob in that country; but how far the Israelites were indebted to them for a knowledge of this pleasing art, is altogether uncertain.
Edward Hazen
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VOL. II.
THE MUSICIAN, AND THE MUSICAL INSTRUMENT MAKER.
THE MUSICIAN.
MUSICAL INSTRUMENT-MAKER.
THE SCULPTOR.
THE PAINTER.
THE ENGRAVER.
THE WOOD ENGRAVER.
THE COPPERPLATE ENGRAVER.
THE COPPERPLATE-PRINTER.
THE LITHOGRAPHER.
THE AUTHOR.
THE PRINTER.
THE TYPE-FOUNDER.
THE STEREOTYPER.
THE PAPER-MAKER, AND THE BOOKBINDER.
THE PAPER-MAKER.
THE BOOKBINDER.
THE BOOKSELLER.
THE ARCHITECT.
THE CARPENTER.
THE MASON.
THE STONE-MASON.
THE BRICKMAKER.
THE BRICKLAYER.
THE PLASTERER.
THE SLATER.
THE PAINTER, AND THE GLAZIER.
THE HOUSE AND SIGN PAINTER.
THE GLAZIER.
THE TURNER.
THE CABINET-MAKER, AND THE UPHOLSTERER.
THE CABINET-MAKER.
THE UPHOLSTERER.
THE CHAIR-MAKER.
THE CARVER, AND THE GILDER.
THE CARVER.
THE GILDER.
THE COOPER.
THE WHEELWRIGHT.
THE POTTER.
THE GLASS-BLOWER.
THE OPTICIAN.
THE GOLD-BEATER, AND THE JEWELLER.
GOLD.
THE GOLD-BEATER.
THE JEWELLER.
THE SILVERSMITH, AND THE WATCH-MAKER.
SILVER.
THE SILVERSMITH.
THE CLOCK AND WATCH MAKER.
THE COPPERSMITH, THE BUTTON-MAKER, AND THE PIN-MAKER.
COPPER.
THE COPPERSMITH.
THE BUTTON-MAKER.
THE PIN-MAKER.
TIN.
THE TIN-PLATE WORKER.
LEAD.
IRON.
THE IRON-FOUNDER.
THE BAR IRON MAKER.
THE WIRE DRAWER.
THE STEEL MANUFACTURER.
THE BLACKSMITH, AND THE NAILER.
THE BLACKSMITH.
THE NAILER.
THE CUTLER.
THE GUN-SMITH.
THE VETERINARY SURGEON.
Transcriber's Notes: