Scenes and Characters of the Middle Ages / Third Edition

The Project Gutenberg eBook, Scenes and Characters of the Middle Ages, by Edward Lewes Cutts
King Henry the Eighth’s Army.
SCENES & CHARACTERS OF THE MIDDLE AGES
By the Rev. EDWARD L. CUTTS, B.A. LATE HON. SEC. OF THE ESSEX ARCHÆOLOCICAL SOCIETY
WITH ONE HUNDRED AND EIGHTY-TWO ILLUSTRATIONS
THIRD EDITION
LONDON: ALEXANDER MORING LIMITED THE DE LA MORE PRESS 32 GEORGE STREET HANOVER SQUARE W 1911


THE MONKS OF THE MIDDLE AGES.
THE ORIGIN OF MONACHISM.
e do not aim in these chapters at writing general history, or systematic treatises. Our business is to give a series of sketches of mediæval life and mediæval characters, looked at especially from the artist’s point of view. And first we have to do with the monks of the Middle Ages. One branch of this subject has already been treated in Mrs. Jameson’s “Legends of the Monastic Orders.” This accomplished lady has very pleasingly narrated the traditionary histories of the founders and saints of the orders, which have furnished subjects for the greatest works of mediæval art; and she has placed monachism before her readers in its noblest and most poetical aspect. Our humbler task is to give a view of the familiar daily life of ordinary monks in their monasteries, and of the way in which they enter into the general life without the cloister;—such a sketch as an art-student might wish to have who is about to study that picturesque mediæval period of English history for subjects for his pencil. The religious orders occupied so important a position in mediæval society, that they cannot be overlooked by the historical student; and the flowing black robe and severe intellectual features of the Benedictine monk, or the coarse frock and sandalled feet of the mendicant friar, are too characteristic and too effective, in contrast with the gleaming armour and richly-coloured and embroidered robes of the sumptuous civil costumes of the period, to be neglected by the artist. Such an art-student would desire first to have a general sketch of the whole history of monachism, as a necessary preliminary to the fuller study of any particular portion of it. He would wish for a sketch of the internal economy of the cloister; how the various buildings of a monastery were arranged; and what was the daily routine of the life of its inmates. He would seek to know under what circumstances these recluses mingled with the outer world. He would require accurate particulars of costumes and the like antiquarian details, that the accessories of his picture might be correct. And, if his monks are to be anything better than representations of monkish habits hung upon “lay figures,” he must know what kind of men the Middle Age monks were intellectually and morally. These particulars we proceed to supply as fully as the space at our command will permit.