Little Journeys to the Homes of the Great - Volume 06 / Little Journeys to the Homes of Eminent Artists

Produced by Jonathan Ingram, Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team.
Little Journeys to the Homes of Eminent Artists
And with all this vast creative activity, he recognized only one self-imposed limitation—beauty. Hence, though his span of life was short, his work is imperishable. He steadily progressed: but he was ever true, beautiful and pure, and freer than any other master from superficiality and mannerism. He produced a vast number of pictures, elevating to men of every race and of every age, and before whose immortal beauty artists of every school unite in common homage. — Wilhelm Lubke
The term Preraphaelite traces a royal lineage to William Morris. Just what the word really meant, William Morris was not sure, yet he once expressed the hope that he would some day know, as a thousand industrious writers were laboring to make the matter plain.
Seven men helped William Morris to launch the phrase, by forming themselves into an organization which they were pleased to call the Preraphaelite Brotherhood.
The word brotherhood has a lure and a promise for every lonely and tired son of earth. And Burne-Jones pleaded for the prefix because it was like holy writ: it gave everybody an opportunity to read anything into it that he desired.
Of this I am very sure, in the Preraphaelite Brotherhood there was no lack of appreciation for Raphael. In fact, there is proof positive that Burne-Jones and Madox Brown studied him with profit, and loved him so wisely and well that they laid impression-paper on his poses. This would have been good and sufficient reason for hating the man; and possibly this accounts for their luminous flashes of silence concerning him. The Preraphaelite Brotherhood, like all other liberal organizations, was quite inclined to be illiberal. And the prejudice of this clanship, avowedly founded without prejudice, lay in the assumption that life and art suffered a degeneration from the rise of Raphael. In art, as in literature, there is overmuch tilting with names—so the Preraphaelites enlisted under the banner of Botticelli.