Atlantic Narratives: Modern Short Stories

Modern Short Stories
EDITED WITH AN INTRODUCTION BY CHARLES SWAIN THOMAS, A. M. Head of Department of English, Newton (Mass.) High School Lecturer in the Harvard Summer School
The Atlantic Monthly Press BOSTON
Copyright, 1918, by THE ATLANTIC MONTHLY PRESS, INC.

THERE is a story current among companionable golfers of a countryman who reluctantly accepted an invitation from a group of friendly associates to try his unpracticed hand at golf. When they all arrived at the links, his friends carefully placed the little carbonadoed sphere upon the tee, and told their aged neophyte that he must try to send this little painted ball to the first hole—plainly marked by the distant waving red flag toward which they pointed. The stalwart old man swung his club valiantly, hit the golf-ball a square, ringing blow, and watched it eagerly as it made its long, swift flight toward the far-off putting-green. His three friends, all loudly congratulating him upon his stroke, went with him in his silent search for the ball. Finally they found it lying just three or four inches from the edge of the first hole. A look of exultant astonishment was upon their faces; a look of keen disappointment upon the face of the old man. Gee, I missed it, he muttered in disgust. His stroke had been the traditional stroke of the ignorant lucky beginner; he had unwittingly accomplished a feat beyond the dream of the trained expert.
Something similar to this triumphant accomplishment of the golf links has occasionally happened in the realm of story-telling. An untrained narrator, with a good tale to tell and with a natural instinct to select the dramatic incidents and arrange them luckily in effective sequence, has held his hearers in continuously rapt attention, and won from them, at the close of his story, round upon round of spontaneous applause. But as the literary world has grown older and more mature in its æsthetic judgments, it has naturally grown more exacting. As narrator after narrator has told his stories, the critical public and the academic critics have come to impose certain definite technical demands—demands not so definite or so exacting, however, that the splendor of success in certain ways has not pardoned even rather glaring neglects and defects along certain other concurrent ways.

Elizabeth Ashe
Henry Seidel Canby
Cornelia A. P. Comer
Charles Caldwell Dobie
Madeleine Z. Doty
H. G. Dwight
John Galsworthy
Katharine Fullerton Gerould
Katharine Butler Hathaway
Zephine Humphrey
Mary Lerner
F. J. Louriet
E. V. Lucas
Margaret Lynn
C. A. Mercer
Margaret Prescott Montague
E. Nesbit
Anne Douglas Sedgwick
Dallas Lore Sharp
Margaret Pollock Sherwood
Ernest Starr
Amy Wentworth Stone
Arthur Russell Taylor
О книге

Язык

Английский

Год издания

2011-11-29

Темы

Short stories

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