Tell England: A Study in a Generation
For all emotions that are tense and strong, And utmost knowledge, I have lived for these— Lived deep, and let the lesser things live long, The everlasting hills, the lakes, the trees, Who'd give their thousand years to sing this song Of Life, and Man's high sensibilities, Which I into the face of Death can sing— O Death, then poor and disappointed thing—
Strike if thou wilt, and soon; strike breast and brow; For I have lived: and thou canst rob me now Only of some long life that ne'er has been. The life that I have lived, so full, so keen, Is mine! I hold it firm beneath thy blow And, dying, take it with me where I go.
In the year that the Colonel died he took little Rupert to see the swallows fly away. I can find no better beginning than that.
When there devolved upon me as a labour of love the editing of Rupert Ray's book, Tell England, I carried the manuscript into my room one bright autumn afternoon, and read it during the fall of a soft evening, till the light failed, and my eyes burned with the strain of reading in the dark. I could hardly leave his ingenuous tale to rise and turn on the gas. Nor, perhaps, did I want such artificial brightness. There are times when one prefers the twilight. Doubtless the tale held me fascinated because it revealed the schooldays of those boys whom I met in their young manhood, and told afresh that wild old Gallipoli adventure which I shared with them. Though, sadly enough, I take Heaven to witness that I was not the idealised creature whom Rupert portrays. God bless them, how these boys will idealise us!
Then again, as Rupert tells you, it was I who suggested to him the writing of his story. And well I recall how he demurred, asking:
But what am I to write about? For he was always diffident and unconscious of his power.
Is Gallipoli nothing to write about? I retorted. And you can't have spent five years at a great public school like Kensingtowe without one or two sensational things. Pick them out and let us have them. For whatever the modern theorists say, the main duty of a story-teller is certainly to tell stories.
Ernest Raymond
TELL ENGLAND
ERNEST RAYMOND
CONTENTS
TELL ENGLAND
A PROLOGUE BY PADRE MONTY
CHAPTER I
RUPERT RAY BEGINS HIS STORY
CHAPTER II
RUPERT OPENS A GREAT WAR
CHAPTER III
AWFUL ROUT OF RAY
CHAPTER IV
THE PREFECTS GO OVER TO THE ENEMY
CHAPTER V
CHEATING
CHAPTER VI
AN INTERLUDE
CHAPTER VII
CAUGHT ON THE BEATEN TRACK
CHAPTER VIII
THE FREEDHAM REVELATIONS
CHAPTER IX
WATERLOO OPENS
CHAPTER X
WATERLOO CONTINUES: THE CHARGE AT THE END OF THE DAY
CHAPTER XI
THE GREAT MATCH
CHAPTER XII
CASTLES AND BRICK-DUST
CHAPTER I
THE ETERNAL WATERWAY
CHAPTER II
PADRE MONTY AND MAJOR HARDY COME ABOARD
CHAPTER III
"C. OF E., NOW AND ALWAYS"
CHAPTER IV
THE VIGIL
CHAPTER V
PENANCE
CHAPTER VI
MAJOR HARDY AND PADRE MONTY FINISH THE VOYAGE
CHAPTER VII
MUDROS, IN THE ISLE OF LEMNOS
CHAPTER VIII
THE GREEN ROOM
CHAPTER IX
PROCEEDING FORTHWITH TO GALLIPOLI
CHAPTER X
SUVLA AND HELLES AT LAST
CHAPTER XI
AN ATMOSPHERE OF SHOCKS AND SUDDEN DEATH
CHAPTER XII
SACRED TO WHITE
CHAPTER XIII
"LIVE DEEP, AND LET THE LESSER THINGS LIVE LONG"
CHAPTER XIV
THE NINETEENTH OF DECEMBER
CHAPTER XV
TRANSIT
CHAPTER XVI
THE HOURS BEFORE THE END
CHAPTER XVII
THE END OF GALLIPOLI
CHAPTER XVIII
THE END OF RUPERT'S STORY