Landseer / A collection of fifteen pictures and a portrait of the painter with introduction and interpretation
Fr. Hanfstaengl, photo. John Andrew & Son, Sc. THE CONNOISSEURS Property of King Edward VII
Copyright, 1901, BY HOUGHTON, MIFFLIN & CO.
Published November, 1901.
The wide popularity of Landseer has been chiefly due to the circulation of engravings after his works. This little book is, so far as I know, the first attempt to bring together a collection of his pictures made in the modern process of half tone, from photographs direct from the original paintings. It is hoped that they may give a fairly good idea of the range and character of his art.
ESTELLE M. HURLL.
New Bedford, Mass.
September, 1901.
If the popularity of a painter were the measure of his artistic greatness, Sir Edwin Landseer's would be among the foremost of the world's great names. At the height of his career probably no other living painter was so familiar and so well beloved throughout the English-speaking world. There were many homes in England and America where his pictures were cherished possessions.
While popular opinion is never a safe basis for a critical estimate, it must be founded on reasons worth considering. In the case of Landseer there is no doubt that a large element in his success was his choice of subjects. The hearts of the people are quickly won by subjects with which they are familiar in everyday life. A universal love for animals, and especially for domestic pets, prepared a cordial welcome for the painter of the deer and the dog. His pictures supplied a real want among the class of people who know and care nothing about art for art's sake.
The dramatic power with which Landseer handled his subjects was the deeper secret of his fame. He knew how to tell a story with a simple directness which has never been surpassed. With almost equal facility for humor and pathos, he alternated between such inimitable satire as the Jack in Office and such poignant tragedy as the Highland Shepherd's Chief Mourner. Before pictures like these, the keenest criticism must confirm the popular verdict. Poetic imagination is one of the most coveted of the artist's gifts, and Landseer's rich endowment commands universal admiration.
Estelle M. Hurll
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The Riverside Art Series
LANDSEER
BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1901
PREFACE
KING CHARLES SPANIELS
SHOEING
SUSPENSE
THE MONARCH OF THE GLEN
THE TWA DOGS
DIGNITY AND IMPUDENCE
PEACE
WAR
A DISTINGUISHED MEMBER OF THE HUMANE SOCIETY
A NAUGHTY CHILD
THE SLEEPING BLOODHOUND
THE HUNTED STAG
JACK IN OFFICE
THE HIGHLAND SHEPHERD'S CHIEF MOURNER
A LION OF THE NELSON MONUMENT
THE CONNOISSEURS
AUTHORS' PORTRAITS
FOR SCHOOL USE
PORTRAITS OF AUTHORS
PORTRAITS
HOMES OF AUTHORS
ORNAMENTS FOR SCHOOL-ROOMS
AUTHORS' HOMES, FOR SCHOOL USE.