Van Dyck: A Collection of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation

Transcriber's Note.
The images in this eBook of the paintings are from the original book. However many of these paintings have undergone extensive restoration. The restored paintings are presented as modern color images with links.

Please click on the image for a larger image.
COPYRIGHT, 1902, BY HOUGHTON, MIFFLIN & CO.
The fame of Van Dyck's portraits has so far over-shadowed that of his other works that his sacred pictures are for the most part unfamiliar to the general public. The illustrations for this little book are equally divided between portraits and subject-pieces, and it is hoped that the selection may give the reader some adequate notion of the scope of the painter's art.
ESTELLE M. HURLL.
New Bedford, Mass.,
March, 1902.

The student of Van Dyck's art naturally classifies the painter's works into four groups, corresponding chronologically to the four successive periods of his life. There was first the short period of his youth in Antwerp, when Rubens was the dominating influence upon his work. The portrait of Van der Geest, in the National Gallery, belongs to this time.
Then followed the four years' residence in Italy, when he fell under the spell of Titian. This was the period of the series of splendid portraits of noble Italian families which are to this day the pride of Genoa. Here too belong those lovely Madonna pictures which brought back for a time the golden age of Venetian art.