Songs and Other Verse
Produced by Charles Aldarondo, Keren Vergon, Charles Bidwell
and PG Distributed Proofreaders
Vol. IX
It is about impossible for a man to get rid of his Puritan grandfathers, and nobody who has ever had one has ever escaped his Puritan grandmother; so said Eugene Field to me one sweet April day, when we talked together of the things of the spirit. It is one of his own confessions that he was fond of clergymen. Most preachers are supposed to be helplessly tied up with such a set of limitations that there are but a few jokes which they may tolerate, and a small number of delights into which they may enter. Doubtless many a cheerful soul likes to meet such of the clergy, in order that the worldling may feel the contrast of liberty with bondage, and demonstrate by bombardment of wit and humor, how intellectually thin are the walls against which certain forms of skepticism and fun offend. Eugene Field did not belong to these. He called them a tribe which do unseemly beset the saints. Nobody has ever had a more numerous or loving clientage of friendship among the ministers of this city than the author of The Holy Cross and The Little Yaller Baby. Those of this number who were closest to the full-hearted singer know that beneath and within all his exquisite wit and ludicrous raillery—so often directed against the shallow formalist, or the unctuous hypocrite—there were an aspiration toward the divine, and a desire for what is often slightingly called religious conversation, as sincere as it was resistless within him. My own first remembrance of him brings back a conversation which ended in a prayer, and the last sight I had of him was when he said, only four days before his death, Well, then, we will set the day soon and you will come out and baptize the children.
Some of the most humorous of his letters which have come under the observation of his clerical friends, were addressed to the secretary of one of them. Some little business matters with regard to his readings and the like had acquainted him with a better kind of handwriting than he had been accustomed to receive from his pastor, and, noting the finely appended signature, per —— ——, Field wrote a most effusively complimentary letter to his ministerial friend, congratulating him upon the fact that emanations from his office, or parochial study, were now readable as far West as Buena Park. At length, nothing having appeared in writing by which he might discover that —— —— was a lady of his own acquaintance, she whose valuable services he desired to recognize was made the recipient of a series of beautifully illuminated and daintily written letters, all of them quaintly begun, continued, and ended in ecclesiastical terminology, most of them having to do with affairs in which the two gentlemen only were primarily interested, the larger number of them addressed in English to Brother ——, in care of the minister, and yet others directed in Latin:
Eugene Field
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THE WORKS OF EUGENE FIELD
SONGS AND OTHER VERSE
INTRODUCTION
THE CONTENTS OF THIS BOOK
THE SINGING IN GOD'S ACRE
THE DREAM-SHIP
TO CINNA
BALLAD OF WOMEN I LOVE
SUPPOSE
MYSTERIOUS DOINGS
WITH TWO SPOONS FOR TWO SPOONS
MARY SMITH
JESSIE
TO EMMA ABBOTT
THE GREAT JOURNALIST IN SPAIN
LOVE SONG—HEINE
THE STODDARDS
THE THREE TAILORS
THE JAFFA AND JERUSALEM RAILWAY
HUGO'S "POOL IN THE FOREST"
A RHINE-LAND DRINKING SONG
DER MANN IM KELLER
TWO IDYLLS FROM BION THE SMYRNEAN
THE WOOING OF THE SOUTHLAND
HYMN
STAR OF THE EAST
TWIN IDOLS
TWO VALENTINES
MOTHER AND SPHINX
A SPRING POEM FROM BION
BEN APFELGARTEN
A HEINE LOVE SONG
UHLAND'S "CHAPEL"
THE DREAMS
IN NEW ORLEANS
MY PLAYMATES
STOVES AND SUNSHINE
A DRINKING SONG
THE LIMITATIONS OF YOUTH
THE BOW-LEG BOY
THE STRAW PARLOR
A PITEOUS PLAINT
THE DISCREET COLLECTOR
A VALENTINE
THE WIND
A PARAPHRASE
WITH BRUTUS IN ST. JO
THE TWO LITTLE SKEEZUCKS
PAN LIVETH
DR. SAM
WINFREDA
LYMAN, FREDERICK, AND JIM
THE PETER-BIRD
SISTER'S CAKE
ABU MIDJAN
ED
JENNIE
CONTENTMENT
"GUESS"
NEW-YEAR'S EVE
OLD SPANISH SONG
THE BROKEN RING
IN PRAISE OF CONTENTMENT
THE BALLAD OF THE TAYLOR PUP
AFTER READING TROLLOPE'S HISTORY OF FLORENCE
A LULLABY
"THE OLD HOMESTEAD"
CHRISTMAS HYMN
A PARAPHRASE OF HEINE
THE CONVALESCENT GRIPSTER
THE SLEEPING CHILD
THE TWO COFFINS
CLARE MARKET
HOW SALTY WIN OUT
THE SINGING IN GOD'S ACRE
THE DREAM-SHIP
TO CINNA
BALLAD OF WOMEN I LOVE
ENVOY
SUPPOSE
MYSTERIOUS DOINGS
WITH TWO SPOONS FOR TWO SPOONS
MARY SMITH
JESSIE
TO EMMA ABBOTT
THE GREAT JOURNALIST IN SPAIN
LOVE SONG—HEINE
THE STODDARDS
THE THREE TAILORS
THE JAFFA AND JERUSALEM RAILWAY
HUGO'S "POOL IN THE FOREST"
A RHINE-LAND DRINKING SONG
DER MANN IM KELLER
TWO IDYLLS FROM BION THE SMYRNEAN
THE WOOING OF THE SOUTHLAND
HYMN
STAR OF THE EAST
TWIN IDOLS
TWO VALENTINES
MOTHER AND SPHINX
A SPRING POEM FROM BION
BÉRANGER'S "TO MY OLD COAT."
BEN APFELGARTEN
A HEINE LOVE SONG
UHLAND'S "CHAPEL"
THE DREAMS
IN NEW ORLEANS
MY PLAYMATES
STOVES AND SUNSHINE
A DRINKING SONG
THE LIMITATIONS OF YOUTH
THE BOW-LEG BOY
THE STRAW PARLOR
A PITEOUS PLAINT
THE DISCREET COLLECTOR
A VALENTINE
THE WIND
A PARAPHRASE
WITH BRUTUS IN ST. JO
THE TWO LITTLE SKEEZUCKS
PAN LIVETH
DR. SAM
WINFREDA
LYMAN, FREDERICK, AND JIM
THE PETER-BIRD
SISTER'S CAKE
ABU MIDJAN
ED
JENNIE
CONTENTMENT
"GUESS"
NEW-YEAR'S EVE
OLD SPANISH SONG
THE BROKEN RING
IN PRAISE OF CONTENTMENT
THE BALLAD OF THE TAYLOR PUP
AFTER READING TROLLOPE'S HISTORY OF FLORENCE
A LULLABY
"THE OLD HOMESTEAD"
CHRISTMAS HYMN
A PARAPHRASE OF HEINE
THE CONVALESCENT GRIPSTER
THE SLEEPING CHILD
THE TWO COFFINS
CLARE MARKET
UHLAND'S WHITE STAG.
HOW SALTY WIN OUT