The Venetian School of Painting

The Project Gutenberg eBook, The Venetian School of Painting, by Evelyn March Phillipps
Transcriber’s Note: Variations in the spelling of names and recording of some questionable dates have been left as printed in the original text. Text underlined in blue indicates a transcriber's note. Hover the cursor over the text to see the note.

Giorgione. MADONNA WITH S. LIBERALE AND S. FRANCIS. Castelfranco. ( Photo, Anderson. )
WITH ILLUSTRATIONS
BOOKS FOR LIBRARIES PRESS FREEPORT, NEW YORK
First Published 1912 Reprinted 1972
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Many visits to Venice have brought home the fact that there exists, in English at least, no work which deals as a whole with the Venetian School and its masters. Biographical catalogues there are in plenty, but these, though useful for reference, say little to readers who are not already acquainted with the painters whose career and works are briefly recorded. “Lives” of individual masters abound, but however excellent and essential these may be to an advanced study of the school, the volumes containing them make too large a library to be easily carried about, and a great deal of reading and assimilation is required to set each painter in his place in the long story. Crowe and Cavalcaselle’s History of Painting in North Italy still remains our sheet anchor; but it is lengthy, over full of detail of minor painters, and lacks the interesting criticism which of late years has collected round each master. There seems room for a portable volume, making an attempt to consider the Venetian painters, in relation to one another, and to help the visitor not only to trace the evolution of the school from its dawn, through its full splendour and to its declining rays, but to realise what the Venetian School was, and what was the philosophy of life which it represented.