The Red Debt: Echoes from Kentucky
No imagery can adequately picture the profound grandeur and wide wild beauty of these Kentucky highlands. At the age when its purity was whitest, a great moon hung midway between Southpaw peak and Moon mountain. Its divine splendor, unalloyed with any tithe of partisanship, laved with a mystic luster these two primeval ranges that had scowled impenitently at each other, behind their mask of flowers and tinseled verdure, across the lethal gulch separating them, for fifty blood-touched, feudal years.
This wondrous effulgence purged every exposed crevice, naked rock and open cove with its chastity. On the ground underneath the patch-quilt of virgin petals and emerald leafage, it peopled a theatre of animated pictures. And the coppice pooled the shadows, creating a hippodrome of transitory caricatures, fanciful, grotesque and fearful. Each sullen moss-hooded boulder flung its distorted, exaggerated image down and fixed a creeping mummy hard by.
Still another white beacon leaned over the hills where, like a stellar flambeau, the lead-star trembled and sputtered, kindled just on the apex of Henhawk's knob. The chasm that furrowed between and, topographically, held these two warring communities apart, sunk its rock-lined bed sheer two hundred feet below. Through this sinuous adamantine artery the head waters of Hellsfork dashed in rampant flight, beating themselves into a madness against a troup of gigantic, orange-tinctured boulders polished glassy by the torrents Nature had unloosed at the beginning of time.
The onrushing wavelets leaped like furious creatures at these menacing things which evermore preyed upon their foaming, impotent wrath; shaping crystal goblets that bubbled over and burst, and flung showers of magical frothy flowers aloft. From across the silvery expanse of spectral mist that overhung the mountains, near and afar, a hundred voices of the wilderness night were calling.
That this barnacle of blood-lust should leech itself upon the fair face of a modern civilization; that in this nineteen hundred and twelve epoch of obeisant civism, hedged about with emollient Christian culture—such a vast stratum of malignant strife should coil here, hidden amidst a congress of Nature's sublime artistry, is an irony at once awesome and hopelessly insoluble. Nevertheless, immured upon natural ramifications on the shoulder of Moon mountain, old Cap Lutts, a strategist and mountain despot of kingly renown, dominated as the head of an implacable dynasty that boded ill to inimical invaders; be it agents of the government or spies of the shaggy Southpaw clan where Sap McGill, who had stepped into his father's war shoes at the end of their last fatal encounter with Cap Lutts, now marshalled his horde of bush-whackers, bent upon the speedy annihilation of the Lutts folk, kith and kin.
Everett MacDonald
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THE RED DEBT
ECHOES FROM KENTUCKY
"... use me as best you can for a grandfather?"
CONTENTS
LIST OF ILLUSTRATIONS
THE RED DEBT
A MIGHTY MAN
BELLE-ANN BENSON
THE TRAITOR
AN ULTIMATUM
ORLICK'S MONEY SPURNED
UPON THE ALTAR
DEDICATED WITH HIS BLOOD
"LESSEN HE KILLS THE REVENUER"
ORLICK WORKS EVIL
IN PRISON
"He kilt my maw—he ded—an' he kilt my pap."
A FRIEND IN NEED
THE STIGMA
RUBRIC DROPS
"THE ONLYEST LUTTS"
BUDDY FORCES AN ISSUE
"Who air th' head o' th' people—who air Cap'in heah in Moon?"
THE MURDER PARTNERS
CIRCUIT COURT
THE GRAVEYARD MASSACRE
HATFIELD OVERTAKES THE TRAITOR
IN THE HANDS OF THE ENEMY
"DRAW—NOW—COWARD!"
THE MISSION SCHOOL
BELLE-ANN VISITS LEXINGTON
THE GUEST OF A GRANDEE
KNOW YE THE TRUTH
BELLE-ANN HAS A VISION
A GRANDFATHER
A CONFESSION
THE RED DEBT
THE SHOOTING OF PETER BURTON
IN WHICH SLAB PROPHESIES
THE NEAR ASSASSIN
BELLE-ANN COMES BACK
THE REUNION
THE DOWNFALL OF SAP McGILL
BELLE-ANN'S RECANTED CREED
THE GHOST-MAN
THE HAUNTED CHURCH
THE FLIGHT
HIS ROCK OF AGES
IN WHICH PROVIDENCE TAKES A HAND
"Hit air God's buryin' now."