A Georgian Pageant
CONTENTS
THE greater number of the papers in this series, dealing with some well-known persons and incidents of the latter half of the Eighteenth Century, are the practical result of a long conversation which the writer had with the late Professor J. Churton Collins upon a very memorable occasion. The writer ventured to contend that the existing views respecting the personality of Oliver Goldsmith, of Henry Thrale, of James Boswell, of Samuel Johnson, and of some others whom he named, were grossly erroneous; as were also the prevalent notions respecting such matters as Fanny Burney's attendance upon the Queen, the “romance” of the Gunnings, and the “elopement” of Richard Brinsley Sheridan with Elizabeth Linley. If Professor Churton Collins had not urged upon the writer the possible interest attaching to the expression of some opinions unbiassed by those conservators of the conventional who have dealt with the same period, every one of them being as careful as Indians on the warpath to tread in the footsteps of the man preceding him, he would not have the courage to set forth his views in the form they now assume.
The non-controversial papers in the series may increase the light and shade in the sketches of this very humble Georgian Pageant. The romance of Lady Susan Fox-Strangways naturally took the shape of a “regulation” story. The details are absolutely correct.
On the very day the writer meant to keep the promise he made to Professor Churton Collins, by sending him the completed proofs of this book, the melancholy news of his death was published—an irreparable loss to the Literature of English Criticism.
On the morning of February 2nd, 1789, a lady was taking a solitary stroll in Kew Gardens. She was a small person, of dainty features, with a dimple on each side of her mouth that suggested a smile, varying, perhaps out of compliment to the variations of the people with whom she came in contact in her daily life, and shifting doubtless with the movements of the folk of her fancy through her quick brain, but remaining a smile all the time. There was about her a good deal of that doll-like primness which is so pretty an accompaniment of a person of small stature; but with this particular person it had—not quite, but almost—the additional charm of dignity. One could at all times see that she was making a highly intellectual attempt to be dignified; but that she was not really dignified at heart. One could see that she had too fine a sense of humour to be thoroughly dignified; and it may be that some of her closest observers—her closest observers were her greatest admirers—perceived now and again that she had a full sense of the humour of her efforts in the direction of dignity. She had large eyes, but being very short-sighted, she had a habit of half closing them when looking at anything or any one further away from her than ten feet. But somehow it was never suggested that the falling of her lids brought a frown to her face.
Frank Frankfort Moore
A GEORGIAN PAGEANT
With Illustrations
1908
THE WRITER'S APOLOGY
THE MONARCH OF THE PAGEANT
A COMEDY IN ST. MARTIN'S STREET
A TRAGEDY IN THE HAYMARKET
THE FATAL GIFT
THE FÊTE-CHAMPÊTRE
THE PLOT OF A LADY NOVELIST
TRAGEDY WITH A TWINKLE
THE BEST COMEDY OF THE CENTURY
THE JESSAMY BRIDE
A PERSONAL NOTE
THE AMAZING ELOPEMENT
THE AMAZING DUELS
A MELODRAMA AT COVENT GARDEN
THE COMEDY AT DOWNING STREET
THE END