The Lighter Side of English Life
CONTENTS
ONE MORNING A FEW MONTHS AGO A foreigner under the influence of an aeroplane descended somewhat hurriedly in a broad and—as he ascertained—a soft meadow in Nethershire; and while he was picking up his matches preparatory to lighting his cigarette—he has always a cigarette in his waistcoat pocket, for a man with a Kodak may be lurking behind the nearest tree—an agricultural labourer on his way to his work looked over the hedge at him. The foreign person noticed him, and after trying him in vain with German, French, and Hungarian, fell back upon English, and in the few words of that language which he knew, inquired the name of the place. “Why, Bleybar Lane, to be sure,” replied the man, perceiving the trend of the question with the quick intelligence of the agricultural labourer; and when the stranger shook his head and lapsed into Russian, begging him to be more precise (for the aviator had not altogether recovered from the daze of his sudden arrival), the man repeated the words in a louder tone, “Bleybar Lane—everybody knows Bleybar Lane; and that's Thurswell that you can't see, beyond the windmill,” and then walked on. Happily our parson, who had watched the descent of the stranger and was hastening to try if he could be of any help to him, came up at that moment and explained that he was in England, where English was, up to that time at least, spoken in preference to German or, indeed, any other language, and that breakfast would be ready at the Rectory in an hour.
It was the Rector who told me the story, adding in regard to the labourer—— “Isn't that just like Thurswell—fancying that a Czech who had just crossed the Channel, and believed himself to be in Belgium, should know all about Thurswell and its Bleybar Lane?”
I thought that it was very like Thurswell indeed, and afterwards I made it still more like by talking to the agricultural labourer himself about the incident.
“Ay, he spoke gibberish with a foreign accent, and I told him plain enough, when he had swept his arms and cried 'Where?' or words to that effect, that he was by Bleybar Lane, and that the place he couldn't see for the windmill was Thurswell; but it were no use: foreigners be in the main woeful ignorant for Christian persons, and I could see that he had no knowledge even of Thurswell when he heard the name.”
Frank Frankfort Moore
THE LIGHTER SIDE OF ENGLISH LIFE
Author Of “The Jessamy Bride”
Illustrated in Colour by George Belcher
1913
CHAPTER ONE—THE VILLAGE
I—THE ABORIGINES
II.—THE CENTENARIANS
III. THE POINT OF VIEW
CHAPTER TWO.—OUTSIDE THE VILLAGE
I.—THE GENERAL
II.—THE DEAR OLD LADY
CHAPTER THREE—THE VILLAGE VILLAS
I.—THE PILLARS OF SOCIETY
II.—THE SHATTERING OF THE PILLARS
III.—FLOWERS AND FRIENDSHIPS
CHAPTER FOUR—THE COMEDIES OF THE COUNTRY HOUSE
I.—LESSEES FROM THE MIDLANDS
II.—THE LEGENDS OF THE COUNTRY HOUSE
III.—FATE OF THE FAMILY PORTRAITS
CHAPTER FIVE—THE COUNTY, OLD AND CRUSTED
I.—THE STRANGERS
II.—THE INSECT AND THE MAMMOTH
CHAPTER SIX—THE OLD COUNTY TOWN
I.—IN THE HIGH STREET
II.—PRECIOUS PANELLING
III.—THE AMENITIES OF THE HIGH STREET
IV.—THE TWO ICONOCLASTS
V.—THE SOCIAL “SETS”
VI.—THE CASE OF MR. STANWELL
CHAPTER SEVEN—THE PEOPLE OF MALLINGHAM
I.—THE MAYOR
II.—THE FIRST FAMILIES
III.—MISS LATIMER'S MARRIAGE LINES
IV.—THE ENTERPRISE OF MALLINGHAM
CHAPTER EIGHT—THE PUSHING PROVINCIAL TOWN
I.—THE MODERN METHODS
II.—LIBRARIANS WHILE YOU WAIT
III.—ARCHÆOLOGICAL ENTERPRISE
CHAPTER NINE—RED-TILED SOCIETY
I.—THE ILLUSTRIOUS STRANGER
II.—THE PRINCE'S PARADE
CHAPTER TEN—LESSER ENGLISH COUNTRY TOWNS
I.—STARKIE AND THE STATES
II.—OUR FATHERS' FOOTSTEPS
CHAPTER ELEVEN—THE CATHEDRAL TOWN
I.—IN THE SHADOW OF THE MINSTER
II.—THE NEW PALACE
III.—ANTE-MORTEM GENEROSITY
IV.—THE BLACK SHEEP
CHAPTER TWELVE—A CLOSE CORPORATION
I.—TROLLOPE'S MRS. PROUDIE
II.—THE INNOVATORS
III.—THE PEACEMAKERS
IV.—THE VOX HUMANA
V.—THE PILGRIM'S PROGRESS
VI.—THE ATMOSPHERE OF THE MINSTER
CHAPTER THIRTEEN—AMONG THE AMATEURS
I.—MR. BARTON'S HIGH NOTE
II.—THE MUSICAL TABLEAUX
III.—THE DRAMA
CHAPTER FOURTEEN—THE LIGHTER SIDE OF CLERICAL LIFE
I.—THE FRANK CANON
II.—THE “CHARPSON”
III.—THE BIBLE CLASS
IV.—THE ENCYCLOPÆDIC PARSON
V.—THE ALMONERS
CHAPTER FIFTEEN—THE CROQUET LAWNS
I.—A CONGENIAL PURSUIT
II.—THE PLAYERS
I.—THE ARTISTIC OUTLOOK
II.—ART AND THE SHERIFF
III.—THE COUNTRY PICTURE SALE
IV.—HUMOURS OF THE ROSTRUM
V. THE ARTFUL AND GOLDSTEIN
VI.—TRICKS AND TRICKS