Illustrated History of Furniture: From the Earliest to the Present Time

n the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time.
A careful selection of illustrations has been made from examples of established authenticity, the majority of which are to be seen, either in the Museums to which reference is made, or by permission of the owners; and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer. These illustrations are arranged, so far as is possible, in chronological order, and the descriptions which accompany them are explanatory of the historical and social changes which have influenced the manners and customs, and directly or indirectly affected the Furniture of different nations. An endeavour is made to produce a panorama which may prove acceptable to many, who, without wishing to study the subject deeply, may desire to gain some information with reference to it generally, or with regard to some part of it, in which they may feel a particular interest.
It will be obvious that within the limits of a single volume of moderate dimensions it is impossible to give more than an outline sketch of many periods of design and taste which deserve far more consideration than is here bestowed upon them; the reader is, therefore, asked to accept the first chapter, which refers to Ancient Furniture and covers a period of several centuries, as introductory to that which follows, rather than as a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information as to these times is more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe , from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work during the past ten or fifteen years. There is evidence of this appreciation in the enormous prices realised at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs.