Piano and song
HOW TO TEACH, HOW TO LEARN,
HOW TO FORM A JUDGMENT OF MUSICAL PERFORMANCES.
Translated from the German
FRIEDRICH WIECK.
BOSTON: LOCKWOOD, BROOKS, & COMPANY. 1875.
Entered according to Act of Congress, in the year 1875, by NOYES, HOLMES, AND COMPANY, In the Office of the Librarian of Congress, at Washington. Cambridge: Press of John Wilson and Son.
Friedrich Wieck, the author of the work a translation of which is here offered to the public, was during his long life a distinguished teacher of music. He died in the autumn of 1873. He was the father and teacher of the celebrated pianist, Clara Wieck, now Fr. Dr. Clara Schumann, widow of the renowned composer Robert Schumann, who was also a pupil of Wieck. His second daughter, Fräulein Marie Wieck, is well known in Germany as an artistic performer on the piano-forte.
I have translated this little book, with the belief that a knowledge of the author's views will be no less valuable in America than in his own country; and with the hope that it may find readers who will be glad to receive the suggestions of so experienced a teacher.
In illustration of his method, in addition to the two Etudes, already published by F. Whistling, Leipzig, a number of piano exercises, &c., selected from the literary remains of Wieck, by his daughter Marie Wieck and his pupil Louis Grosse, are, it is said, about to be published.
I have omitted in the translation a few portions on the composition and management of the opera, on the giving of concerts, and on the construction of the piano, thinking that they would be of little interest or practical value to the general public.
Friedrich Wieck
Piano and Song
CONTENTS.
ON ELEMENTARY PIANO-FORTE INSTRUCTION.
AN EVENING ENTERTAINMENT AT HERR ZACH'S.
MANY STUDENTS OF THE PIANO AND FEW PLAYERS.
A CONVERSATION WITH MRS. SOLID, AND FOUR LESSONS TO HER DAUGHTER.
ON THE PEDAL.
THE SOFT-PEDAL SENTIMENT.
A MUSICAL TEA-PARTY AT THE HOUSE OF JOHN SPRIGGINS.
SINGING AND SINGING-TEACHERS.
THOUGHTS ON SINGING.
VISIT AT MRS. N.'S.
SECRETS.
THOUGHTS ON PIANO-PLAYING.
ON MUSICAL TALENT.
EXTRAVAGANCES IN SINGING AND PIANO-PLAYING.
CONCLUSION.