Peggy Stewart, Navy Girl, at Home

Produced by Juliet Sutherland, Charles Franks
and the Online Distributed Proofreading Team.
1920
Just now, as the splendid head nestled confidingly in her circling arms, she was whispering softly into one velvety ear, oh, so velvety! as it rested against her ripe, red lips, so soft, so perfect in their molding. The ear moved slightly back and forth, speaking its silent language. The nostrils emitted the faintest bubbling acknowledgment of the whispered words. The beautiful eyes were so expressive in their intelligent comprehension.
Too many cooks spoil the broth, Shashai. Too many grooms can spoil a colt. Too many mistresses turn a household topsy-turvy. How about too many names, old boy? Can they spoil a girl? But maybe I'm spoiled already. How about it? and a musical laugh floated out from between the pretty lips.
The colt raised his head, whinnied aloud as though in denial and stamped one deer-like, unshod fore-hoof as though to emphasize his protest; then he again slid his head back into the arms as if their slender roundness encompassed all his little world.
You old dear! exclaimed the girl softly, adding: Eh, but it's a beautiful world! A wonderful world, and broke into the lilting refrain of Wonderful world and sang it through in a voice of singularly, haunting sweetness. But the words were not those of the popular song. They had been written and set to its air by Peggy's tutor.
She seemed to forget everything else, though she continued to mechanically run light, sensitive fingers down the velvety muzzle so close to her face, and semi-consciously reach forth the other hand to caress the head of a superb wolfhound which, upon the first sweet notes, had risen from where she lay not far off to listen, thrusting an insinuating nose under her arm. She seemed to float away with her song, off, off across the sloping, greening fields to the broad, blue reaches of Bound Bay, all a-glitter in the morning sunlight.
She was seated in the crotch of a snake-fence running parallel with the road which ended in a curve toward the east and vanished in a thin-drawn perspective toward the west. There was no habitation, or sign of human being near. The soft March wind, with its thousand earthy odors and promises of a Maryland springtide, swept across the bay, stirring her dark hair, brushed up from her forehead in a natural, wavy pompadour, and secured by a barrette and a big bow of dark red ribbon, the long braid falling down her back tied by another bow of the same color. The forehead was broad and exceptionally intellectual. The eyebrows, matching the dark hair, perfectly penciled. The nose straight and clean- cut as a Greek statue's. The chin resolute as a boy's. The teeth white and faultless. And the eyes? Well, Peggy Stewart's eyes sometimes made people smile, sometimes almost weep, and invariably brought a puzzled frown to their foreheads. They were the oddest eyes ever seen. Peggy herself often laughed and said: