The China Painter Instruction Book
PUBLISHED BY
THAYER & CHANDLER
CHICAGO
Copyright 1914, by Thayer & Chandler.
TABLE OF CONTENTS
There are many things of which the beginner in china painting should be reminded. It is most essential that he has clean tools and well mixed colors before attempting any work. To be sure poorly ground colors are more quickly and more easily prepared, but nothing but the very poorest results can be obtained from such haste.
After placing a small quantity of powder color on a clean slab and enough mixing medium to make a thick paste, blend the two together with a small palette knife, working with a rotary motion. See well to it that no particles are left. When blending, keep the palette knife as flat as possible, as there is danger of breaking it if bent too much. Mix well until the color is a smooth paste. It will be found well to put a small amount of the mixing medium in a small dish and use from that, rather than pouring it from bottle.
When thoroughly mixed, put the color on one side of the palette. Blend another color and place next to the other one on the palette. Proceed in this way until all the tints wanted are prepared. It will be found that some colors take longer than others to grind, owing to their stony nature. In this case a little patience is necessary for best results.
Have a clean cup of turpentine and a small dish with a few drops of light working medium at hand. Use a clean, square brush. Take the color desired, rub down on the palette so as to have all of the brush moist with it, and apply to the china, of course it is understood that before beginning the work, the design has been carefully drawn on the china, either with a wax pencil or India ink and pen. This drawing will disappear in firing.
If the design is carefully drawn on the china, it will assist the decorator in easily placing the tints where they belong.
Wash your brush in turpentine, when changing colors, and be sure to press the turpentine out with a cloth before dipping the brush into another color.
George Erhart Balluff
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MIXING OF THE CHINA COLORS
COLOR COMBINATIONS
CONVENTIONAL STYLE PAINTING
FLOWER PAINTING
LEAF PAINTING
FRUIT PAINTING
FIGURE PAINTING
TINTING
GROUND-LAYING
DUSTING
OUTLINING
CUTTING OUT
PADS AND DABBERS
SLOW OR QUICK DRYING COLORS
PASTE OR RELIEF WORK FOR GOLD
GOLD
GOLD BURNISHING
LUSTRES
MATT COLORS
BANDING
OXIDIZING OF COLORS
GLAZING OF UNDERFIRED COLORS
CHIPPING OF COLORS
ENAMEL WORK
CHINA REPAIRING
FIRING CHINA