The Crystal Hunters: A Boy's Adventures in the Higher Alps

“Steady there! Stop! Hold hard!”
“What’s the matter, Mr Dale?”
“Matter, Saxe, my boy? Well, this. I undertook to take you back to your father and mother some day, sound in wind and limb; but if you begin like that, the trip’s over, and we shall have to start back for England in less than a week—at least, I shall, with my luggage increased by a case containing broken boy.”
There was a loud burst of hearty laughter from the manly-looking lad addressed, as he stood, with his hands clinging and his head twisted round, to look back: for he had spread-eagled himself against a nearly perpendicular scarp of rock which he had begun to climb, so as to reach a patch of wild rhododendrons.
There was another personage present, in the shape of a sturdy, muscular-looking man, whose swarthy face was sheltered by a wide-brimmed soft felt hat, very much turned up at the sides, and in whose broad band was stuck a tuft of the pale grey, starry-looking, downy plant known as the Edelweiss. His jacket was of dark, exceedingly threadbare velvet; breeches of the same; and he wore gaiters and heavily nailed lace-up boots; his whole aspect having evoked the remarks, when he presented himself at the door of the chalet:
“I say, Mr Dale, look here! Where is his organ and his monkey? This chap has been asking for you—for Herr Richard Dale, of London.”
“Yes, I sent for him. It is the man I am anxious to engage for our guide.”
For Melchior Staffeln certainly did look a good deal like one of the “musicians” who infest London streets with “kists o’ whustles,” as the Scottish gentleman dubbed them—or much noisier but less penetrating instruments on wheels.
He was now standing wearing a kind of baldric across his chest, in the shape of a coil of new soft rope, from which he rarely parted, whatever the journey he was about to make, and leaning on what, at first sight, seemed to be a stout walking-stick with a crutch handle, but a second glance revealed as an ice-axe, with, a strong spike at one end, and a head of sharp-edged and finely pointed steel, which Saxe said made it look like a young pick-axe.