Matthew Arnold
MATTHEW ARNOLD. By G.W.E. Russell. CARDINAL NEWMAN. By William Barry, D.D. MRS. GASKELL. By Flora Masson. JOHN BUNYAN. By W. Hale White. CHARLOTTE BRONTË. By Clement K. Shorter. R.M. HUTTON. By W. Robertson Nicoll. GOETHE. By Edward Dowden. HAZLITT. By Louise Imogen Guiney.
We see him wise, just, self-governed, tender, thankful, blameless, yet with all this agitated, stretching out his arms for something beyond— tendentemque manus ripæ ulterioris amore . — Essays in Criticism .
It may be thought that some apology is needed for the production of yet another book about Matthew Arnold. If so, that apology is to be found in the fact that nothing has yet been written which covers exactly the ground assigned to me in the present volume.
It was Arnold's express wish that he should not be made the subject of a Biography. This rendered it impossible to produce the sort of book by which an eminent man is usually commemorated—at once a history of his life, an estimate of his work, and an analysis of his character and opinions. But though a Biography was forbidden, Arnold's family felt sure that he would not have objected to the publication of a selection from his correspondence; and it became my happy task to collect, and in some sense to edit, the two volumes of his Letters which were published in 1895. Yet in reality my functions were little more than those of the collector and the anno tator. Most of the Letters had been severely edited before they came into my hands, and the process was repeated when they were in proof.
A comparison of the letters addressed to Mr. John Morley and Mr. Wyndham Slade with those addressed to the older members of the Arnold family will suggest to a careful reader the nature and extent of the excisions to which the bulk of the correspondence was subjected. The result was a curious obscuration of some of Arnold's most characteristic traits—such, for example, as his over-flowing gaiety, and his love of what our fathers called Raillery. And, in even more important respects than these, an erroneous impression was created by the suppression of what was thought too personal for publication. Thus I remember to have read, in some one's criticism of the Letters, that Mr. Arnold appeared to have loved his parents, brothers, sisters, and children, but not to have cared so much for his wife. To any one who knew the beauty of that life-long honeymoon, the criticism is almost too absurd to write down. And yet it not unfairly represents the impression created by a too liberal use of the effacing pencil.