The Seven Lively Arts
Transcriber’s Note
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The Custodians of the Keystone. By Ralph Barton
THE SEVEN LIVELY ARTS
By Gilbert Seldes
“... But, beside those great men, there is a certain number of artists who have a distinct faculty of their own by which they convey to us a peculiar quality of pleasure which we cannot get elsewhere; and these, too, have their place in general culture, and must be interpreted to it by those who have felt their charm strongly, and are often the objects of a special diligence and a consideration wholly affectionate, just because there is not about them the stress of a great name and authority. ”
—Walter Pater
HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON MCMXXIV
THE SEVEN LIVELY ARTS Copyright, 1924 By Harper & Brothers Printed in the U. S. A. First Edition B-Y
TO MY FATHER
This book was written while on holiday some three thousand miles away from data, documents, and means of verification. It is written from memory and, although I have had time and have tried to check up, I feel sure that the safest thing is to let it go as cautious merchants do when they send out statements—with the caveat : E. and O. E.—errors and omissions excepted. I haven’t tried to write a history of any of the lively arts, nor intended to mention all of those who practice them. I should, however, feel sorry if I have omitted anyone who has given me intense pleasure, even though the omission has not, in any way, the countenance of a slur.
Everything else that properly belongs in a preface has found its way into the two chapters: The Great God Bogus and Before a Picture by Picasso —and the acknowledgments are numerous and serious enough to need a place for themselves in the appendix.
Gilbert Seldes
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CONTENTS
ILLUSTRATIONS
NOTE
THE KEYSTONE THE BUILDERS REJECTED
AN IMAGINARY CONVERSATION
“I AM HERE TO-DAY”: CHARLIE CHAPLIN
SAY IT WITH MUSIC
TEARING A PASSION TO RAGTIME
TOUJOURS JAZZ
MR DOOLEY, MEET MR LARDNER
A TRIBUTE TO FLORENZ ZIEGFELD
THE DARKTOWN STRUTTERS ON BROADWAY
PLAN FOR A LYRIC THEATRE IN AMERICA
THE ONE-MAN SHOW
THE DÆMONIC IN THE AMERICAN THEATRE
THESE, TOO ...
THE “VULGAR” COMIC STRIP
THE KRAZY KAT THAT WALKS BY HIMSELF
THE DAMNED EFFRONTERY OF THE TWO-A-DAY
THEY CALL IT DANCING
ST SIMEON STYLITES
BURLESQUE, CIRCUS, CLOWNS, AND ACROBATS
THE TRUE AND INIMITABLE KINGS OF LAUGHTER
THE GREAT GOD BOGUS
AN OPEN LETTER TO THE MOVIE MAGNATES
BEFORE A PICTURE BY PICASSO
APPENDIX TO “I AM HERE TO-DAY”
“BANANAS” AND OTHER SONGS
APPENDIX TO “THESE, TOO ...”
THE KRAZY KAT BALLET
FURTHER NOTE ON THE FRATELLINI
THE CINEMA NOVEL
ACKNOWLEDGMENTS
FOOTNOTES
INDEX OF PRINCIPAL NAMES
Transcriber’s Notes