Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10) / Fra Giocondo to Niccolo Soggi
PHILIP LEE WARNER, PUBLISHER TO THE MEDICI SOCIETY, LIMITED 7 GRAFTON ST. LONDON, W. 1912-14
If writers of history were to live a few years longer than the number commonly granted as the span of human life, I, for my part, have no manner of doubt that they would have something to add to the accounts of the past previously written by them, for the reason that, even as it is not possible for a single man, be he ever so diligent, to learn the exact truth in a flash, or to discover all the details of his subject in the little time at his command, so it is as clear as the light of day that Time, who is said to be the father of truth, is always revealing new things every day to the seeker after knowledge. If, many years ago, when I first wrote and also published these Lives of the Painters and other Craftsmen, I had possessed that full information which I have since received concerning Fra Giocondo of Verona, a man of rare parts and a master of all the most noble faculties, I would without a doubt have made that honourable record of him which I am now about to make for the benefit of craftsmen, or rather, of the world; and not of him only, but also of many other masters of Verona, who have been truly excellent. And let no one marvel that I place them all under the image of one only, because, not having been able to obtain portraits of them all, I am forced to do this; but, so far as in me lies, not one of them shall thereby have his excellence defrauded of its due.
Now, since the order of time and merit so demands, I shall speak first of Fra Giocondo. This man, when he assumed the habit of S. Dominic, was called not simply Fra Giocondo, but Fra Giovanni Giocondo. How the name Giovanni dropped from him I know not, but I do know that he was always called Fra Giocondo by everyone. And although his chief profession was that of letters, and he was not only a very good philosopher and theologian, but also an excellent Greek scholar (which was a rare thing at that time, when learning and letters were just beginning to revive in Italy), nevertheless he was also a very fine architect, being a man who always took supreme delight in that art, as Scaliger relates in his epistle against Cardan, and the learned Budé in his book De Asse, and in the observations that he wrote on the Pandects.