The Carpet from Bagdad
The Project Gutenberg eBook, The Carpet from Bagdad, by Harold MacGrath, Illustrated by Andre Castaigne
Author of
A SPLENDID HAZARD
THE MAN ON THE BOX
The wild hawk to the windswept sky, The deer to the wholesome wold, And the heart of a man to the heart of a maid, As it was in the days of old. —Rudyard Kipling.
To possess two distinctly alien red corpuscles in one's blood, metaphorically if not in fact, two characters or individualities under one epidermis, is, in most cases, a peculiar disadvantage. One hears of scoundrels and saints striving to consume one another in one body, angels and harpies; but ofttimes, quite the contrary to being a curse, these two warring temperaments become a man's ultimate blessing: as in the case of George P. A. Jones, of Mortimer & Jones, the great metropolitan Oriental rug and carpet company, all of which has a dignified, sonorous sound. George was divided within himself. This he would not have confessed even into the trusted if battered ear of the Egyptian Sphynx. There was, however, no demon-angel sparring for points in George's soul. The difficulty might be set forth in this manner: On one side stood inherent common sense; on the other, a boundless, roseate imagination which was likewise inherent—a kind of quixote imagination of suitable modern pattern. This alter ego terrified him whenever it raised its strangely beautiful head and shouldered aside his guardian-angel (for that's what common sense is, argue to what end you will) and pleaded in that luminous rhetoric under the spell of which our old friend Sancho often fell asleep.
P. A., as they called him behind the counters, was but twenty-eight, and if he was vice-president in his late father's shoes he didn't wabble round in them to any great extent. In a crowd he was not noticeable; he didn't stand head and shoulders above his fellow-men, nor would he have been mistaken by near-sighted persons, the myopes, for the Vatican's Apollo in the flesh. He was of medium height, beardless, slender, but tough and wiry and enduring. You may see his prototype on the streets a dozen times the day, and you may also pass him without turning round for a second view. Young men like P. A. must be intimately known to be admired; you did not throw your arm across his neck, first-off. His hair was brown and closely clipped about a head that would have gained the attention of the phrenologist, if not that of the casual passer-by. His bumps, in the phraseology of that science, were good ones. For the rest, he observed the world through a pair of kindly, shy, blue eyes.
Harold MacGrath
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THE CARPET FROM BAGDAD
HAROLD MACGRATH
CONTENTS
WHAT'S IN A NAME?
AN AFFABLE ROGUE
THE HOLY YHIORDES
AN OLD ACQUAINTANCE
THE GIRL WHO WASN'T WANTED
MOONLIGHT AND POETRY
RYANNE TABLES HIS CARDS
THE PURLOINED CABLE
THE BITTER FRUIT
MAHOMED LAUGHS
EPISODIC
THE CARAVAN IN THE DESERT
NOT A CHEERFUL OUTLOOK
MAHOMED OFFERS FREEDOM
FORTUNE'S RIDDLE SOLVED
MAHOMED RIDES ALONE
MRS. CHEDSOYE HAS HER DOUBTS
THE MAN WHO DIDN'T CARE
FORTUNE DECIDES
MARCH HARES
A BOTTLE OF WINE
THE END OF THE PUZZLE