Types of Prose Narratives: A Text-Book for the Story Writer
TYPES OF PROSE NARRATIVES
A TEXT-BOOK FOR THE STORY WRITER
HARRIOTT ELY FANSLER
Assistant Professor of English in the University of the Philippines. Formerly Instructor in English in Western Reserve University at Cleveland, Ohio
CHICAGO
ROW, PETERSON & COMPANY
Copyright, 1911, Harriott Ely Fansler.
Inspiration for any craftsman lies in the history of his art and in a definite problem at hand. He feels his task dignified when he knows what has been done before him, and he has a starting point when he can enumerate the essentials of what he wants to produce. He then goes to his work with a zest that is in itself creative. There is a popular misconception, especially in the minds of young people and seemingly in the minds of many teachers and critics of literature, that geniuses have sprung full-worded from the brain of Jove and have worked without antecedents. There could not be to a writer a more cramping idea than that. It is the aim of the present volume to help dispel that illusion, and to set in a convenient form before students of narrative the twofold inspiration mentioned—a feeling for the past and a series of definite problems.
There has been no attempt at minuteness in tracing the type developments; though there has been the constant ideal of exactness and trustworthiness wherever developments are suggested. In other words, this book is not a scrutiny of origins, but a setting forth of essentials in kinds of narratives already clearly established. The analysis that gives the essentials has, of course, the personal element in it, as all such analyses must have; but the work is the work of one mind and is at least consistent. Since I have not had the benefit of other texts on the subject (for there are none that I know of) and since the inquiry into narrative types with composition in view is thus made, put together with illustrations, and published for the first time, it has been my especial aim to exclude everything dogmatic. As can readily be seen, the details have been worked out in the actual classroom. The safe thing about the use of such a text by other instructors is the fact that they and their pupils can test the truth of the generalizations by first-hand inquiry of their own.
Harriott Ely Fansler
Transcriber's note.
TYPES OF PROSE NARRATIVES
PREFACE
TABLE OF CONTENTS
LIST OF STORIES
NARRATIVES OF FICTITIOUS EVENTS
NARRATIVES OF ACTUAL EVENTS
INTRODUCTION
I. The Myth
II. The Legend
III. The Fairy Tale
IV. The Nursery Saga or Märchen
I. The Fable
II. Parable
III. Allegory
I. The Tale of Mere Wonder
II. The Imaginary Voyage with a Satiric or Instructive Purpose
III. Tale of Scientific Discovery and Mechanical Invention
I. The Tale of Probable Adventure
II. The Society Story
III. The Humorous Story
I. The Moral Story
II. The Pedagogical Narrative
III. The Story of Present Day Realism
I. The Psychological Weird Tale
II. The Story That Emphasizes Character and Environment.
III. The Story That Emphasizes Character and Events
I. The Incident
II. The Anecdote
III. The Eye-Witness Account
IV. The Tale of Actual Adventure
V. The Traveler's Sketch
I. Journal and Diary
II. Autobiography and Memoirs
III. Biography
I. Annals
II. Chronicles
BIBLIOGRAPHY
LIST OF ABBREVIATIONS
GENERAL REFERENCE WORKS ON THE HISTORY OF FICTION
CHAPTER I. PRIMITIVE RELIGIOUS GROUP
CHAPTER II. SYMBOLIC-DIDACTIC GROUP
CHAPTER III. INGENIOUS-ASTONISHING GROUP
CHAPTER IV. THE ENTERTAINING GROUP
CHAPTER V. THE INSTRUCTIVE GROUP
CHAPTER VI. THE SHORT STORY
CHAPTER VII
CHAPTER VIII
CHAPTER IX
INDEX
FOOTNOTES: