The Middle Years
NEW YORK CHARLES SCRIBNER'S SONS Published November, 1917
The following pages represent all that Henry James lived to write of a volume of autobiographical reminiscences to which he had given the name of one of his own short stories , The Middle Years. It was designed to follow on Notes of a Son and Brother and to extend to about the same length. The chapters here printed were dictated during the autumn of 1914. They were laid aside for other work toward the end of the year and were not revised by the author. A few quite evident slips have been corrected and the marking of the paragraphs—which he usually deferred till the final revision—has been completed.
In dictating The Middle Years he used no notes, and beyond an allusion or two in the unfinished volume itself there is no indication of the course which the book would have taken or the precise period it was intended to cover .
PERCY LUBBOCK.
It was at any rate impossible to have been younger, in spite of whatever inevitable submissions to the rather violent push forward at certain particular points and on lines corresponding with them, than I found myself, from the first day of March 1869, in the face of an opportunity that affected me then and there as the happiest, the most interesting, the most alluring and beguiling, that could ever have opened before a somewhat disabled young man who was about to complete his twenty-sixth year. Treasures of susceptibility, treasures not only unconscious of the remotest approach to exhaustion, but, given the dazzling possibilities, positively and ideally intact, I now recognise—I in fact long ago recognised—on the part of that intensely reacting small organism; which couldn't have been in higher spirits or made more inward fuss about the matter if it had come into a property measured not by mere impressions and visions, occasions for play of perception and imagination, mind and soul, but by dollars and shares, lands and houses or flocks and herds. It is to the account of that immense fantastication that I set down a state of mind so out of proportion to anything it could point to round about save by the vaguest of foolish-looking gestures; and it would perhaps in truth be hard to say whether in the mixture of spirit and sense so determined the fact of innocence or that of intelligence most prevailed. I like to recover this really prodigious flush—as my reader, clearly, must perceive I do; I like fairly to hang about a particular small hour of that momentous March day—which I have glanced at too, I believe, on some other and less separated page than this—for the sake of the extraordinary gage of experience that it seemed on the spot to offer, and that I had but to take straight up: my life, on so complacently near a view as I now treat myself to, having veritably consisted but in the prolongation of that act. I took up the gage, and as I look back the fullest as well as simplest account of the interval till now strikes me as being that I have never, in common honour, let it drop again. And the small hour was just that of my having landed at Liverpool in the gusty, cloudy, overwhelmingly English morning and pursued, with immediate intensities of appreciation, as I may call the muffled accompaniment for fear of almost indecently overnaming it, a course which had seated me at a late breakfast in the coffee-room of the old Adelphi Hotel ( Radley's, as I had to deplore its lately having ceased to be dubbed,) and handed me over without a scruple to my fate. This doom of inordinate exposure to appearances, aspects, images, every protrusive item almost, in the great beheld sum of things, I regard in other words as having settled upon me once for all while I observed for instance that in England the plate of buttered muffin and its cover were sacredly set upon the slop-bowl after hot water had been ingenuously poured into the same, and had seen that circumstance in a perfect cloud of accompaniments. I must have had with my tea and my muffin a boiled egg or two and a dab of marmalade, but it was from a far other store of condiments I most liberally helped myself. I was lucidly aware of so gorging—esoterically, as it were, while I drew out the gustatory process; and I must have said in that lost reference to this scene of my dedication which I mentioned above that I was again and again in the aftertime to win back the homeliest notes of the impression, the damp and darksome light washed in from the steep, black, bricky street, the crackle of the strong draught of the British sea-coal fire, much more confident of its function, I thought, than the fires I had left, the rustle of the thick, stiff, loudly unfolded and refolded Times, the incomparable truth to type of the waiter, truth to history, to literature, to poetry, to Dickens, to Thackeray, positively to Smollett, and to Hogarth, to every connection that could help me to appropriate him and his setting, an arrangement of things hanging together with a romantic rightness that had the force of a revelation.