The Plunderer

Produced by Al Haines
GROSSET & DUNLAP
Roger Payne had come to a decision. He waited until the office door had closed behind the departing stenographer, then swung his long legs recklessly upon his flat-top desk and shouted across the room at his partner:
Jim Tibbetts!
Tibbetts frowned. He was footing a column of cost figures and the blast from his young partner nearly made him lose count.
Payne grinned. He liked his partner. Had he not done so he would never have allowed himself to be dragged into business—Tibbetts & Payne, Manufacturers' Agents. Two years of it. Two years from the day on a Western irrigation dam when Payne had installed the cement machine that Tibbetts was selling. Two years—to Payne—of prison. And now his moment of decision had arrived.
Roger Payne was out of place. He did not fit the furniture. There was a look of permanence to the dark tan upon his face which labeled it not the surface sunburn which may be collected during a two weeks' vacation or gradually acquired by spending Saturday afternoon and Sunday on the golf links. It was a tan that suggested leather, and which comes as much from frostbite as sunburn, and from the whip of frozen snowflakes as the heated winds of summer.
Beneath the tan the face was too lean and hard to be in sympathy with the high polish of flat-top desks.
His body also was lean and hard. Even the proper cut of a carefully tailored business suit could not conceal a certain bunchiness about the shoulders which had nothing at all in common with office efficiency. The shoulders were outrageously broad, the barrel of his chest was scandalously deep, the hands distressingly large and brown, considered in intimate association with filing systems and adding machines. And the keen blue eyes, sometimes gazing with a far-away, unbusiness-like look out into the grimy, roaring cañon called Wabash Avenue, sometimes twinkling with unbusinesslike mischief, inevitably completed the exposure of Roger Payne.