From One Generation to Another

CONTENTS


Il faut se garder des premiers mouvements, parce qu'ils sont presque toujours honnétes.
“Dearest Anna,—I see from the newspaper before me of March 13, that I am reported dead. Before attempting to investigate the origin of this mistake, I hasten to write to you, knowing, dearest, what a shock this must have been to you. It is true that I was in the Makar Akool affair, and was slightly wounded—a mere scratch in the arm—but nothing more. I have not written to you for some months past because I have been turning something over in my mind. Anna, dearest, there is no chance of my being in a position to marry for some years yet, and I feel it incumbent upon me ...”
This letter, half written, lay on a camp table before a keen-faced young officer. He ceased writing suddenly, and, leaping to his feet, walked to the door of his bungalow, which was open to the four winds of heaven. In doing this he passed from the range of the lazy punkah flapping somnolently over table and bed. It may have been this sudden change to hotter air that caused him to raise his hand to his forehead, which was high and strangely rounded.
“By George!” he said, “suppose I do it that way!”
He walked rapidly backwards and forwards with the lithe actions of a man of steel, a light weight, of medium height, keen and quick as a monkey. His black eyes flitted from one object to another with such restlessness that it was impossible to say whether he comprehended what he saw or merely looked at things from force of habit.
He was dark of hair with a sallow complexion and a long drooping nose—the nose of Semitic ancestors. A small mouth, and the chin running almost to a point. A face full of interest, devoid of distinct vice—heartless. Here was a man with a future before him—a man whose vices were all negative, whose virtues depended entirely upon expediency. Here was a man who could be almost anything he liked; as some men can. If expediency prompted he could be a very depôt of virtues; for his body, with all the warmer failings of that part of humanity, was in perfect control. On the other hand, there was no love of good for goodness' sake—no conscience behind the subtle eyes. All this, and more, was written in the face of Seymour Michael, whose handwriting had dried some moments before on the half-filled sheet of letter-paper.