The Slave of the Lamp
CONTENTS
Henry Seton Merriman published his first novel, “Young Mistley,” in 1888, when he was twenty-six years old. Messrs. Bentley's reader, in his critique on the book, spoke of its “powerful situations” and unconventionality of treatment: and, while dwelling at much greater length on its failings, declared, in effect, its faults to be the right faults, and added that, if “Young Mistley” was not in itself a good novel, its author was one who might hereafter certainly write good novels.
“Young Mistley” was followed in quick succession by “The Phantom Future,” “Suspense,” and “Prisoners and Captives.” Some years later, considering them crude and immature works, the author, at some difficulty and with no little pecuniary loss, withdrew all these four first books from circulation in England. Their republication in America he was powerless to prevent. He therefore revised and abbreviated them, “conscious,” as he said himself in a preface, “of a hundred defects which the most careful revision cannot eliminate.” He was perhaps then, as he was ever, too severe a critic of his own works. But though these four early books have, added to youthful failings, the youthful merits of freshness, vigour and imagination, their author was undoubtedly right to suppress them. By writing them he learnt, it is true, the technique of his art: but no author wishes—or no author should wish—to give his copy-books to the world. It is as well then—it is certainly as he himself desired—that these four books do not form part of the present edition. It may, however, be noted that both “Young Mistley” and “Prisoners and Captives” dealt, as did “The Sowers” hereafter, with Russian subjects: “Suspense” is the story of a war-correspondent in the Russo-Turkish War of 1877: and “The Phantom Future” is the only novel of Merriman's in which the scene is laid entirely in his own country.
In 1892 he produced “The Slave of the Lamp,” which had run serially through the Cornhill Magazine , then under the editorship of Mr. James Payn.
Henry Seton Merriman
THE SLAVE OF THE LAMP
PREFACE
CHAPTER I. IN THE RUE ST. GINGOLPHE
CHAPTER II. TOOLS
CHAPTER III. WITHOUT REST
CHAPTER IV. BURDENED
“CHRISTIAN VELLACOTT.”
CHAPTER V. A REUNION
CHAPTER VI. BROKEN THREADS
CHAPTER VII. PUPPETS
CHAPTER VIII. FALSE METAL
CHAPTER IX. A CLUE
“C. C. BODERY.”
CHAPTER X. ON THE SCENT
CHAPTER XI. BURY BLUFF
CHAPTER XII. A WARNING WORD
CHAPTER XIII. A NIGHT WATCH
CHAPTER XIV. FOILED
CHAPTER XV. BOOKS
CHAPTER XVI. FOES
CHAPTER XVII. A RETREAT
CHAPTER XVIII. AN EMPTY NEST
CHAPTER XIX. FOUL PLAY
CHAPTER XX. WINGED
CHAPTER XXI. TRUE TO HIS CLOTH
CHAPTER XXII. GREEK AND GREEK
CHAPTER XXIII. STRICKEN DOWN
CHAPTER XXIV. BACK TO LIFE
CHAPTER XXV. BACK TO WORK
CHAPTER XXVI. SIGNOR BRUNO
CHAPTER XXVII. IN THE RUE ST. GINGOLPHE AGAIN
CHAPTER XXVIII. THE MAKING OF CHRISTIAN VELLACOTT